CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – The sitcom format that began with and was perfected by “I Love Lucy” (with its set-up/joke/laugh rhythm) remains unchanged since “Babaloo” was a catchphrase.
CHICAGO – The minute I saw “Pushing Daisies,” one of the very first notes I took while watching the pilot was “this is never going to last”. It was great, but it was also too quirky, strange, romantic, and hard to put into a definable box, making it unlikely to find an audience. Now that the second-and-final season of “Pushing Daisies” is on DVD, we can look back and see the beauty of the brief time we had with this great show and wonder what might have been.