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Suleka Mathew

TV Review: Great Cast But No Reason to Care About ‘Red Widow’

CHICAGO – While the broadcast networks midseason continues to set records for overall incompetence and ABC’s “Zero Hour” appears to be the latest casualty (as it was pulled from this week schedule in advance of a likely cancellation), the newest attempt to revive flatlining numbers comes in the form of ABC’s “Red Widow.”

TV Review: Dramatic Season-Three Premiere of ‘HawthoRNe’ With Jada Pinkett Smith

Hawthorne, Jada Smith

CHICAGO – The popular cable TV series “HawthoRNe” throws down a dramatic Season 3 premiere, featuring the star talents of Jada Pinkett Smith and a great supporting cast. The medical series returns on TNT Network on June 14th.

TV Review: ‘Hawthorne’ is Custom-Made Drama For Summer TV Wasteland

Hawthorne

CHICAGO – Summer is the time for fluff. And that’s what “Hawthorne” is. It’s a drama that crosses the genre boundary into the realm of soap opera. Having said that, the second season premiere of “Hawthorne” is not nearly as melodramatic as TNT’s on-air promos might have you believe with their “she’s all woman” tagline.

TV Review: TNT’s Overly Earnest ‘HawthoRNe’ Won’t Cure Summer TV Blues

Hawthorne

CHICAGOTNT’s medical drama “HawthoRNe” would have felt overly generic in any month of the year, but debuting in the same one as Showtime’s far darker, subtler and more entertaining “Nurse Jackie” does the show no favors at all. Jada Pinkett Smith executive-produces and stars in a well-intentioned program with a good pedigree (John Masius of “St. Elsewhere” is one of the producers) but one that feels like a relic of a bygone era of more manipulative television.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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