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Suleka Mathew

TV Review: Great Cast But No Reason to Care About ‘Red Widow’

CHICAGO – While the broadcast networks midseason continues to set records for overall incompetence and ABC’s “Zero Hour” appears to be the latest casualty (as it was pulled from this week schedule in advance of a likely cancellation), the newest attempt to revive flatlining numbers comes in the form of ABC’s “Red Widow.”

TV Review: Dramatic Season-Three Premiere of ‘HawthoRNe’ With Jada Pinkett Smith

Hawthorne, Jada Smith

CHICAGO – The popular cable TV series “HawthoRNe” throws down a dramatic Season 3 premiere, featuring the star talents of Jada Pinkett Smith and a great supporting cast. The medical series returns on TNT Network on June 14th.

TV Review: ‘Hawthorne’ is Custom-Made Drama For Summer TV Wasteland


CHICAGO – Summer is the time for fluff. And that’s what “Hawthorne” is. It’s a drama that crosses the genre boundary into the realm of soap opera. Having said that, the second season premiere of “Hawthorne” is not nearly as melodramatic as TNT’s on-air promos might have you believe with their “she’s all woman” tagline.

TV Review: TNT’s Overly Earnest ‘HawthoRNe’ Won’t Cure Summer TV Blues


CHICAGOTNT’s medical drama “HawthoRNe” would have felt overly generic in any month of the year, but debuting in the same one as Showtime’s far darker, subtler and more entertaining “Nurse Jackie” does the show no favors at all. Jada Pinkett Smith executive-produces and stars in a well-intentioned program with a good pedigree (John Masius of “St. Elsewhere” is one of the producers) but one that feels like a relic of a bygone era of more manipulative television.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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