CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
Steven R. McQueen
CHICAGO – “Piranha” is ludicrous, offensive, disgusting, gratuitous, and stupid — just the way that it should be. Can you imagine the complete failure it would have been to try and take the concept of killer fish seriously? Director Alexandre Aja (“High Tension”) wisely went the other way and made a movie that falls completely flat in terms of character, dialogue, and logic but works where it needs to: T, A, and gore.
CHICAGO – With a record-setting approach to bare breasts and bloodied bodies, Alexandre Aja’s “Piranha 3D” is a ridiculous gore-fest that falls completely flat in terms of character, dialogue, and logic but pops off the screen in the areas in which it really counts for a movie about prehistoric man-eating fish.