CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.
CHICAGO – There’s a reason why the terms “Christian” and “filmmaker” don’t seem to go together. Pictures that push religious agendas tend to sacrifice complex plots and characters in favor of amplifying its message. These films fail not only as entertainment but as quality storytelling. Whenever an aspiring artist attempts to speak for a group rather than oneself, it’s almost always a recipe for tediously preachy dreck.
CHICAGO – Donald Miller’s “Blue Like Jazz” is a beloved book that spent 43 weeks on the New York Times bestseller list and sold over 1.5 million copies. I haven’t read it. But I have to believe that it worked on its fans in a way that Steve Taylor’s film simply cannot. This is clearly a personal story, one that touched people by relating to issues they’ve grappled with in their own lives. By taking Taylor’s memories and turning them into cinema, the ability to touch has been removed another degree of separation and the resulting film is a misstep, the kind of work that thinks it’s saying something important but feels more pretentious than precious.