Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
Stephen Root
Blu-Ray Review: Strong Cast Makes For Fun Trip to ‘Cedar Rapids’
Submitted by BrianTT on June 28, 2011 - 10:48amCHICAGO – Millions more people have seen his work in the two “The Hangover” films but Ed Helms’ best performance to date is actually in the recently-released-on-Blu-ray “Cedar Rapids,” a clever and enjoyable slice of midwestern comedy that co-stars John C. Reilly, Anne Heche, Sigourney Weaver, and more. The excellent cast elevates a somewhat-inconsistent screenplay, making this fun film worth the trip.
Film Review: Will Ferrell Seeks Recovery in ‘Everything Must Go’
Submitted by PatrickMcD on May 13, 2011 - 3:02pmCHICAGO – Alcohol mixed with the American Dream sometimes becomes a destructive chemistry. With every individual’s reaction to ethyl alcohol like a fingerprint, the general image of the party animal can easily morph into what John Cheever called ‘The Sorrows of Gin.” These sorrows are explored through Will Ferrell in “Everything Must Go.”
HollywoodChicago.com Hookup: 25 Pairs of Chicago Passes to ‘Cedar Rapids’ With Ed Helms, John C. Reilly
Submitted by HollywoodChicago.com on February 7, 2011 - 1:48amCHICAGO – In our latest comedy edition of HollywoodChicago.com Hookup: Film, we have 25 admit-two passes up for grabs to the advance Chicago screening of “Cedar Rapids”!
Blu-Ray Review: ‘No Country For Old Men’ Riveting in HD
Submitted by BrianTT on April 13, 2009 - 8:23am Blu-Ray Rating: 4.5/5.0 |
CHICAGO – Like most truly great films, “No Country For Old Men” gets better every time I see it. My most recent viewing, in pristine HD with the new Blu-Ray release, made me appreciate this dark masterpiece even more than the last time I saw it and I have a feeling it’s one of those films that will change a bit every time I press play. Films like that, ones that get deeper with time, are what we call “must-owns”.
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