CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
Star Power Can’t Save ‘Mad Money’ From ‘Thelma & Louise’ Writer Callie Khouri
CHICAGO – Whenever there’s stunt-movie casting with divergent generations of Hollywood “stars,” there’s bound to be trouble at the multiplex. This time, the “old to young” range of Diane “Annie Hall” Keaton, Queen Latifah and the increasingly annoying Katie Holmes attempt a stab at the classic heist movie in “Mad Money”.
Keaton portrays Bridget Cardigan: an upper-middle class matron whose husband (Ted Danson) has been laid off for a year and has given up trying to find another gig. Overwhelmed by debt and bills, Keaton goes back out into the work force. In an “it only can happen in the movies” turn of events, the best job she can find is as a janitor at the Federal Reserve bank (I guess all the administration jobs at the real estate offices were full).
As she gets into her new career – strangely doing the cleaning work during the day shift – she notices there are some flaws in the airtight security involving the shredding of old currency.
of “Mad Money” in our reviews section!