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TV Review: Television Has Evolved Beyond NBC’s ‘Chicago PD’

There’s a fine line between old-fashioned and stale. Some will look at “Chicago PD,” NBC’s spin-off of “Chicago Fire” from mega-producer Dick Wolf, and say that it’s the kind of tried-and-true cop show that they don’t really make that often any more. I would say there’s a reason they don’t make them any more.

TV Review: CBS Misses Comedy Mark with Grating, Clichéd ‘Partners’

CHICAGO – The bad show most likely to be on all year is CBS’s “Partners,” a program that doesn’t deserve its cushy timeslot between “How I Met Your Mother” and “2 Broke Girls” on Monday nights and will likely succeed through ratings osmosis despite being generally pretty horrendous.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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