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Sonya Walger

HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Admission’ With Tina Fey, Paul Rudd

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of the new comedy “Admission” starring Tina Fey and Paul Rudd!

TV Review: USA Tries to Find Ratings Gold Again with ‘Common Law’

CHICAGO – Is the USA model getting a little tired to anyone else? Does every show have to be a mystery-of-the-week series? Can they try something totally new? “Common Law” is not as quirky as some of their other programs but if you showed me the pilot and asked me what network it was on, I could easily pick it out as a USA show.

DVD Review: Catch Up With ‘FlashForward’ at Halfway Point

FlashForward DVD

CHICAGO – Watching commercial-free episodes back-to-back on DVD illuminates a show’s strengths and weaknesses (while also making drinking games easier to spot from a show’s repetitive moments). “Lost” and “24” were helped amply by their season sets, as their breakneck pace worked even better without a need to push fast forward on a DVR remote.

TV Review: ABC’s ‘FlashForward’ Could Easily Be the Next ‘Lost’

CHICAGO – Do you think that if the creators of “Lost” were allowed a glimpse at their futures when their hit show began that they would have seen a montage of all the series that it would inspire?

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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