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Sonya Walger

HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Admission’ With Tina Fey, Paul Rudd

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of the new comedy “Admission” starring Tina Fey and Paul Rudd!

TV Review: USA Tries to Find Ratings Gold Again with ‘Common Law’

CHICAGO – Is the USA model getting a little tired to anyone else? Does every show have to be a mystery-of-the-week series? Can they try something totally new? “Common Law” is not as quirky as some of their other programs but if you showed me the pilot and asked me what network it was on, I could easily pick it out as a USA show.

DVD Review: Catch Up With ‘FlashForward’ at Halfway Point

FlashForward DVD

CHICAGO – Watching commercial-free episodes back-to-back on DVD illuminates a show’s strengths and weaknesses (while also making drinking games easier to spot from a show’s repetitive moments). “Lost” and “24” were helped amply by their season sets, as their breakneck pace worked even better without a need to push fast forward on a DVR remote.

TV Review: ABC’s ‘FlashForward’ Could Easily Be the Next ‘Lost’

CHICAGO – Do you think that if the creators of “Lost” were allowed a glimpse at their futures when their hit show began that they would have seen a montage of all the series that it would inspire?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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