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Sonya Walger

HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Admission’ With Tina Fey, Paul Rudd

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of the new comedy “Admission” starring Tina Fey and Paul Rudd!

TV Review: USA Tries to Find Ratings Gold Again with ‘Common Law’

CHICAGO – Is the USA model getting a little tired to anyone else? Does every show have to be a mystery-of-the-week series? Can they try something totally new? “Common Law” is not as quirky as some of their other programs but if you showed me the pilot and asked me what network it was on, I could easily pick it out as a USA show.

DVD Review: Catch Up With ‘FlashForward’ at Halfway Point

FlashForward DVD

CHICAGO – Watching commercial-free episodes back-to-back on DVD illuminates a show’s strengths and weaknesses (while also making drinking games easier to spot from a show’s repetitive moments). “Lost” and “24” were helped amply by their season sets, as their breakneck pace worked even better without a need to push fast forward on a DVR remote.

TV Review: ABC’s ‘FlashForward’ Could Easily Be the Next ‘Lost’

CHICAGO – Do you think that if the creators of “Lost” were allowed a glimpse at their futures when their hit show began that they would have seen a montage of all the series that it would inspire?

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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