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TV Review: The CW’s ‘Arrow’ Misses Bullseye But Hits Target

CHICAGO – Can The CW survive on genre product alone? They’ve given up entirely on comedy, their reality shows produce immeasurably small ratings, and most of their traditional dramas are either past their prime (“Gossip Girl”) or struggling to find an audience (“Hart of Dixie”).

Interview: Actor Adrian Holmes Expands Range in ‘Frankie and Alice’

CHICAGO – Breaking through to the next level of name recognition in the acting field is the goal of all performers. Adrian Holmes, currently featured in the Halle Berry film, “Frankie and Alice,” is currently making his breakout move.

The CW Announces Two New TV Shows to Join Returning Favorites

The CW

CHICAGO – The CW announced its new fall line-up on Thursday and filled out five nights of original programming. Returning shows are “90210,” “Gossip Girl,” “One Tree Hill,” “Life Unexpected,” “America’s Top Model,” “The Vampire Diaries,” “Supernatural” and the final season of “Smallville”.

The CW Fall 2009 Premiere Dates Including ‘90210,’ ‘Melrose Place,’ ‘Gossip Girl,’ More

Melrose Place

CHICAGO – The CW has announced their fall premiere dates and the season kicks off with two of the most anticipated premieres, the return of the second season of “90210” and the premiere of “Melrose Place,” both on Tuesday, September 8th. Including “Melrose,” the network has three new programs for fall 2009 (the other two are “The Beautiful Life” and “The Vampire Diaries”).

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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