CHICAGO – Chris Rock isn’t a huge writer/director, but when he does make a film, it’s an event to consider. For example, he made black president tale “Head of State” long before then-senator Barack Obama was even considered for the real-life role, and whether behind the stand-up mic or in an interview, he’s a voice to be reckoned with.
CHICAGO – “The Music Man” is alive in a way few Hollywood musicals ever are. Its big numbers often grow organically, allowing melodies to emerge from the rhythm of speech, overlapping action or the seemingly mundane movement of characters across the frame. In the exuberant world of this ageless classic, music is less of a self-conscious construct than an irresistible life force infiltrating the cadence of everyday life.