Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
CHICAGO – “The Music Man” is alive in a way few Hollywood musicals ever are. Its big numbers often grow organically, allowing melodies to emerge from the rhythm of speech, overlapping action or the seemingly mundane movement of characters across the frame. In the exuberant world of this ageless classic, music is less of a self-conscious construct than an irresistible life force infiltrating the cadence of everyday life.