CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.
When I expressed excitement over the fact that Robert Altman’s stunning “Nashville” was being released in a Criterion Collection Blu-ray edition a few months back, a colleague asked me why I loved the film and I had trouble verbalizing my feelings about Altman’s sprawling, brilliant tapestry of characters. Watching the excellent new documentary about the making-of the film on the Criterion release makes it clear that I’m not alone.
CHICAGO – One of the most remarkable things about Robert Altman was his refusal to give in to the pressures of pleasing an audience. He made films for himself. There may be no better example of this than “3 Women,” a film that defies too much examination in part because it’s purposefully vague as it was based on a dream of Mr. Altman’s. He had a dream, woke up, and turned it into a treatment, from which they shot the movie. It’s surreal, bizarre, and totally mesmerizing, and is one of the newest Criterion Blu-rays.
CHICAGO – Robert Altman made very few films that didn’t have at least a few redeeming qualities and often much more than that faint praise. Even Altman’s relative failures were often fascinating in their own way. Such a film is 1970’s “Brewster McCloud,” a work nowhere near as beloved as some of his ’70s comedies but that definitely warrants a look on its newly remastered DVD, available exclusively through the WB Shop online.