CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – This is what happens when a beloved book gets sucked into the big Hollywood studio machine and gets all the endearing qualities – plus its heart and soul – sucked right out of it. “Alexander and the Terrible, Horrible, No Good, Very Bad Day” is a terrible, horrible, no good, very bad movie.
CHICAGO – Jason Bateman and an all-star cast got me there. The unfunny copycat story left me regretting it. If you don’t start with a solid plot that’s at least somewhat new, it doesn’t matter how many “A”-listers you throw into an ensemble. They’re just individuals doing the best they can with weak material.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new dramatic comedy “This is Where I Leave You” starring Jason Bateman and Tina Fey!
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of the highly anticipated new comedy “The Internship” starring Vince Vaughn!
CHICAGO – For pre-teen boys, a movie about fighting robots probably can’t possibly be too long. For their parents, guardians, or babysitters, the fact that “Real Steel” is a ridiculously-overlong 127 minutes is worth noting. The film plays like gangbusters to eight-to-twelve year old boys (and the PG-13 rating is silly given the general lack of non-robot violence) but wears out its welcome for pretty much everyone else. There are things to like here, but not enough to overcome its bloated personality.
CHICAGO – Try selling a friend on paying to see a movie with you about machine-operated boxing where humans control robots for money.
CHICAGO – The sequel “Night at the Museum: Battle of the Smithsonian” is, presumably, an effort by director Shawn Levy (“Night at the Museum” in 2006 and “The Pink Panther”) and writers Robert Ben Garant and Thomas Lennon (who both wrote the first film) to weave together an exciting and educational film.