CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – I may never know how “In Their Skin” came into being, but I have a pretty good theory. Screenwriter/star Josh Close was so appalled by the unapologetic bleakness of Michael Haneke’s “Funny Games” that he took it upon himself to make the exact same movie, more or less, but with a much happier ending. It’s a noble effort but every bit as pointless as Rod Lurie’s proudly non-misogynistic remake of “Straw Dogs.”
CHICAGO – Movie theaters have rarely appeared as depressingly airless as they do in Todd Solondz’s “Dark Horse.” Rather than confront his adult responsibilities, pathological man-child Abe (Jordan Gelber) storms into the nearest multiplex for his daily consumption of media-fed inspirational escapism. He quietly mouths the answers to pre-movie questions projected in the otherwise vacant theater, as his words fall on nonexistent ears.
CHICAGO – The set-up for the domestic horror of “In Their Skin” immediately brings to mind excellent thrillers like Michael Haneke’s “Funny Games,” David Moreau & Xavier Palud’s “Them,” and Bryan Bertino’s underrated “The Strangers.” There’s something inherently terrifying about being assaulted in a place you consider safe – your home. When home is no longer protected, what is?
CHICAGO – Charlie Sheen opens his new sitcom “Anger Management,” debuting tomorrow night on FX in a new comedy block with “Wilfred,” “Louie,” and “Brand X,” by yelling right to the camera.
CHICAGO – The term “arrested development” could easily be applied not only to every character in a Todd Solondz picture, but every neurotic man-child currently populating the vast majority of Hollywood comedies.
CHICAGO – Todd Solondz has always been prone to making films about people that most filmmakers wouldn’t touch with a ten-foot pole. His characters crave love but are the opposite of lovable. They inspire the sort of laughter spawned not from amusement but from discomfort, sadness, and occasionally, recognition. It’s refreshing to see characters utterly devoid of pre-packaged, studio-approved appeal.
Following ‘Pan’s Labyrinth,’ ‘Hellboy II: The Golden Army’ Regresses From Best to Worst For Guillermo del ToroSubmitted by HollywoodChicago.com on July 11, 2008 - 12:01am
CHICAGO – Hellboy is plugged as the world’s brawniest, kitten-loving superhero. While that paradox is supposed to be both funny and action packed, “Hellboy II: The Golden Army” from famed writer and director Guillermo del Toro falls flat on the funny front and instead winds up on the funny farm.
On Wednesday, we reported that the new trailer for “Hellboy II: The Golden Army” would pop up online on Thursday. It indeed has. I’ve embedded the trailer below.
Three new production stills surfaced on Tuesday from IGN for “Hellboy II: The Golden Army”. In the first photo below on the left, we see the reveal of agent Johann Krauss. All images can be clicked for larger versions.