Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – The original “The Stepfather” is such a product of its era that I have to admit that I went into the remake wondering what on Earth they could do to bring such an ’80s story into the ’00s. The answer turns out to be shockingly little. “The Stepfather” isn’t that bad. In fact, it’s better executed than I expected. It’s just a shadow of the original in that it never justifies its existence.