CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – The original “The Stepfather” is such a product of its era that I have to admit that I went into the remake wondering what on Earth they could do to bring such an ’80s story into the ’00s. The answer turns out to be shockingly little. “The Stepfather” isn’t that bad. In fact, it’s better executed than I expected. It’s just a shadow of the original in that it never justifies its existence.