CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.
CHICAGO – Sebastian Gutierrez is the sort of filmmaker who thrives best on the festival circuit. His work is just quirky and distinctive enough to garner overenthusiastic praise from jaded festival goers in the mood for markedly lighter fare. Yet when screened out of the celebratory atmosphere at SXSW, Gutierrez’s films fail to register as anything more than mediocre trifles.
CHICAGO – The best thing about this alleged comedy is its title, evocative of David Lynch’s signature premise: “A woman in trouble.” Yet while Lynch has been accused of misogyny by some filmgoers, Sebastian Gutierrez’s “Women in Trouble” purports itself to be an empowering portrait of strong female characters. Their strength is often demonstrated by their ability to cuss and talk about sex. Boy, how far we have come.