CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.
CHICAGO – Sebastian Gutierrez is the sort of filmmaker who thrives best on the festival circuit. His work is just quirky and distinctive enough to garner overenthusiastic praise from jaded festival goers in the mood for markedly lighter fare. Yet when screened out of the celebratory atmosphere at SXSW, Gutierrez’s films fail to register as anything more than mediocre trifles.
CHICAGO – The best thing about this alleged comedy is its title, evocative of David Lynch’s signature premise: “A woman in trouble.” Yet while Lynch has been accused of misogyny by some filmgoers, Sebastian Gutierrez’s “Women in Trouble” purports itself to be an empowering portrait of strong female characters. Their strength is often demonstrated by their ability to cuss and talk about sex. Boy, how far we have come.