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Saul Rubinek

TV Review: Inconsistent Season Premiere For Syfy Hit ‘Warehouse 13’

Warehouse 13

CHICAGO – Syfy relaunches two of their biggest hits tonight with the fourth season premiere of “Warehouse 13” followed by the second season premiere of “Alphas.” While the latter starts strong enough to presume that the show’s sophomore outing will be vastly improved over its first year, “Warehouse 13” opens with a clunky affair, one that doesn’t really hit the right beats and somehow finds a way to waste the great Brent Spiner, as difficult as that is to do.

TV Review: Fan Favorites ‘Eureka,’ ‘Warehouse 13’ Anchor SyFy Line-Up

Eureka

CHICAGO – SyFy brings back two of their hits tonight, July 11th, 2011, for brand-new seasons of wacky behavior with an unusual twist. “Eureka” and “Warehouse 13” have a lot in common with their charming, handsome leads, quirky senses of humor, and unique storylines. They’re both about Area 51-esque places that we’re not supposed to know about and the people who keep them under control. For me, there’s an obviously superior program of the two, the best and most successful show currently on SyFy, but I’m sure fans will be happy to have both back for the summer season.

DVD Review: Tilda Swinton Mesmerizes in Thrilling ‘Julia’

Julia

CHICAGO – Tilda Swinton, Oscar winner for “Michael Clayton,” gives the best female performance of the year to date in the riveting, thrilling, excellent “Julia,” now available on DVD and one of the best films of 2009 that you probably haven’t seen. The lack of special features on the Magnolia-produced DVD (and its lack of existence on Blu-Ray) is a bet of a let-down but the film is an underrated gem that should find a loyal audience on the home market.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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