CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – In our latest HollywoodChicago.com Hookup: Combo Pack giveaway, we have 10 free Blu-ray and DVD combo packs up for grabs for the home entertainment release of the comedy “A Million Ways to Die in the West” with Seth MacFarlane and Charlize Theron!
CHICAGO – A feature-length comedy is a daunting undertaking. But being consistently funny for 2 straight hours is like climbing Mount Everest blindfolded with no arms while taking selfies using your feet.
CHICAGO – Two observations regarding Seth MacFarlane. One, he is a hilarious writer and voiceover talent. Two, he isn’t as good as a comic leading man, on screen and in live action. Those two elements clash brightly in the overlong but funny “A Million Ways to Die in the West.”
HollywoodChicago.com Hookup: 25 Pairs of Passes to Seth MacFarlane’s ‘A Million Ways to Die in the West’Submitted by HollywoodChicago.com on May 22, 2014 - 4:20pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 25 pairs of advance-screening movie passes up for grabs to the highly anticipated new comedy “A Million Ways to Die in the West” starring Seth MacFarlane (“Ted”), Charlize Theron and Liam Neeson!
CHICAGO – We live in such a cynical world that when a film critic tells you a stand-up comedian is damn funny, it might not hold as much weight as it did in a universe before everyone had an opinion on everything online. So how can I convince you that Eddie Pepitone, the subject of Stephen Feinartz’s “The Bitter Buddha,” opening this weekend at the Music Box Theatre in Chicago, is damn funny? Do you like Marc Maron, Sarah Silverman, Dana Gould, or the amazing Patton Oswalt? They think he’s hilarious. And if that doesn’t do it, the movie will. Just trust us.
CHICAGO – Disney’s hit “Wreck-It Ralph,” recently released on Blu-ray and DVD, fits one of the most important criteria for a parent considering picking up a kid’s movie to own — replay value. As anyone with kids can tell you, if you buy something, you best be ready to watch it over and over and over again. And “Ralph” holds up surprisingly well. I’m still a little surprised it received the level of acclaim it did with some even suggesting it should win the Oscar (we all know that should have been “ParaNorman”) but it’s a good movie to throw on if your kids need a distraction with a good message. And the Blu-ray includes the Oscar winner for Best Animated Short, the great “Paperman.”
CHICAGO – “Take This Waltz” is one of my most personally divisive films of the year. What I mean is that for every element of the movie that I truly adore, there’s one that I loathe. In the former category, there’s Michelle Williams’ striking performance and director Sarah Polley’s eye for color. In the latter category, there’s Polley’s script, one that simply never resonates as truthful and carries some of the worst dialogue of the year. There are elements here that work but every one is balanced by something that drives me crazy.
CHICAGO – The voice talents of Sarah Silverman nearly steal the animated film “Wreck-It Ralph,” which opened this weekend on November 2nd. Earlier this year, Silverman brought her “Sarah’s Pro-Choice” show to The Chicago Theater, part of the “Just for Laughs Chicago” Festival.
CHICAGO – The nostalgia of the old video game arcade comes to life in a charming and fun way in the new Disney film, “Wreck-It Ralph.” One of the strengths is the precise selection of celebrity voices used to animate the rollicking characters. John C. Reilly, Sarah Silverman and Jane Lynch are part of the familiar voice cast.
CHICAGO – Sarah Polley’s “Take This Waltz” both illustrates its director’s uniquely confident vision as a filmmaker and her room to grow as a screenwriter. Despite the best efforts from a very talented cast led by a fearless performance from Michelle Williams, Polley’s film is frustrating in its inability to reflect the real world.