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Sara Rue

TV Review: ABC Pairs ‘Last Man Standing,’ ‘Malibu Country’ on Fridays

CHICAGO – I wasn’t a big fan of “Last Man Standing” when it premiered over a year ago but it looks like a landmark program when compared to the vastly inferior new sitcom with which it has been paired, the new “Malibu Country” with Reba (who apparently goes by one name now) and Lily Tomlin. Both shows hearken back to the old-fashioned TGIF brand of programming, complete with laugh tracks and borderline offensive cliches.

TV Review: ‘Shedding For the Wedding’ Turns Weight Loss Into Torture

CHICAGO – As mash-ups take off in the music world, it was only a matter of time before reality TV joined the party, taking two concepts that worked on their own and smashing them together in a fit of childlike glee. What do you get when you cross “The Biggest Loser” and “Bridezillas”?

TV Review: Despite Sexy Stars, ‘Eastwick’ Has Yet to Cast a Spell

CHICAGO – Clearly inspired as much by the success of “Desperate Housewives” as that of its actual source material, ABC’s “Eastwick” is a mixed cauldron of possibilities, a show with a strong enough cast and concept to warrant a second look but also one with enough deep flaws in its premiere to suggest that perhaps this spell will not be cast over too many viewers.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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