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Sara Rue

TV Review: ABC Pairs ‘Last Man Standing,’ ‘Malibu Country’ on Fridays

CHICAGO – I wasn’t a big fan of “Last Man Standing” when it premiered over a year ago but it looks like a landmark program when compared to the vastly inferior new sitcom with which it has been paired, the new “Malibu Country” with Reba (who apparently goes by one name now) and Lily Tomlin. Both shows hearken back to the old-fashioned TGIF brand of programming, complete with laugh tracks and borderline offensive cliches.

TV Review: ‘Shedding For the Wedding’ Turns Weight Loss Into Torture

CHICAGO – As mash-ups take off in the music world, it was only a matter of time before reality TV joined the party, taking two concepts that worked on their own and smashing them together in a fit of childlike glee. What do you get when you cross “The Biggest Loser” and “Bridezillas”?

TV Review: Despite Sexy Stars, ‘Eastwick’ Has Yet to Cast a Spell

CHICAGO – Clearly inspired as much by the success of “Desperate Housewives” as that of its actual source material, ABC’s “Eastwick” is a mixed cauldron of possibilities, a show with a strong enough cast and concept to warrant a second look but also one with enough deep flaws in its premiere to suggest that perhaps this spell will not be cast over too many viewers.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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