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Sam Worthington

Film Review: ‘The Shack’ is About Spirituality, Not Filmmaking

CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.

Film Review: Surprises Can’t Save ‘Sabotage’ From Bloody Carnage

CHICAGO – The crime thriller “Sabotage” is the least predictable and most intense of the handful of post Governator action movies Arnold Schwarzenegger has starred in. Last year’s “The Last Stand” had a sense of humor about it, along with a nod to classic Westerns, that lightened the bloody violence, but here is a gritty film that proudly displays its tattoos and adrenaline in a testosterone-laced delivery.

HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Sabotage’ with Arnold Schwarzenegger

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening passes up for grabs to the new DEA action filmSabotage” starring Arnold Schwarzenegger!

Blu-ray Review: Relentlessly Bland ‘Wrath of the Titans’ Ultimately Bores

Wrath of the Titans Blu-ray

CHICAGO – Just because a tale is enormously influential and older than the hills doesn’t mean that it’s foolproof. Just ask “John Carter.” Or “Mirror Mirror.” What makes the “Titans” franchise particularly unseemly is its air of smugness. It trashed Ray Harryhausen’s admittedly outdated 1981 version of “Clash of the Titans” in its 2010 remake, but failed to establish a personality of its own.

Blu-ray Review: ‘Man on a Ledge’ Jumps Into Convoluted Abyss

Man on a Ledge with Sam Worthington

CHICAGO – “Man on a Ledge” wants to be “Dog Day Afternoon” for the ’10s recession (it’s not coincidental that a man screams “Attica!” at one point). A tale of a man screwed by a corrupt system who stages a complex heist and galvanizes the people of New York in the process could have worked so well. There are great actors and great ideas here. And there’s also the most convoluted, ridiculous, and poorly written script that I’ve suffered through in a very long time.

Film Review: Loud, Boring ‘Wrath of the Titans’ Deserves Godly Vengeance

CHICAGO – 2010’s “Clash of the Titans” was a surprising box office smash, making almost $500 million worldwide. That kind of money demands a sequel, but what to call it? “Clash of the Titans 2” wouldn’t be exciting enough but it should sound similar.

Film Review: Elizabeth Banks Teeters With the ‘Man on a Ledge’

Man on a Ledge, Elizabeth Banks

CHICAGO – New York City. Mid-day. A man steps outside the window on the edge of the Roosevelt Hotel. Is he jumping? That’s the question that street level onlookers and moviegoers want answered from Sam Worthington, Elizabeth Banks, Jamie Bell and Ed Harris in “Man on a Ledge”

DVD Review: Well-Acted ‘Texas Killing Fields’ Favors Characters Over Clichés

Texas Killing Fields Film Review

CHICAGO – Is there anything Chloë Grace Moretz can’t do? She’s earned big laughs as a snarky yet concerned sister in “(500) Days of Summer,” performed her own stunts as a vengeful hit girl in “Kick Ass,” brought startling pathos to the role of a smitten vampire in “Let Me In” and exuded Hepburn-esque grace in “Hugo,” all before the age of 15. Needless to say, her versatility is unmatched by any of her peers.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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