CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
CHICAGO – There will be inevitable comparisons to the Pulitzer Prize winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.
CHICAGO – Gathering an ensemble cast for a film version of a Pulitzer Prize winning stage play is a tricky assignment. Some of the actors selected for “August: Osage County” – play and screenplay by Tracy Letts – are a mix of veterans (Juliette Lewis, Margo Martindale) and relative newcomers (Julianne Nicholson).
CHICAGO – Highly anticipated! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening passes up for grabs to the darkly searing “Tracy Letts” comedy “August: Osage County” starring Meryl Streep!
One overriding thought dominated my time with Scott Cooper’s stunningly disappointing “Out of the Furnace” – I just don’t care. When I wasn’t picking apart the gigantic plot holes in the narrative, I was marveling at the overheated characters who have been crafted from cliché instead of the real world.
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Mud’ With Matthew McConaughey, Reese WitherspoonSubmitted by HollywoodChicago.com on April 18, 2013 - 2:01pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of the highly anticipated “Mud” with Matthew McConaughey!
CHICAGO – If there ever was an industry that deserved a good metaphor bashing, it would be the financial sector. “Killing Them Softly” does a hit-over-the-head with the symbolism, but at the same time delivers a gritty and literate parable, featuring Brad Pitt, James Gandolfini and Ray Liotta.
CHICAGO – “If you want a friend in Washington,” Harry S. Truman once said, “get a dog.” The same can be said for the film industry, as they keep producing canine quandaries. Diane Keaton, Kevin Kline, Sam Shepard and Elisabeth Moss cozy up to their own ‘Darling Companion.’
CHICAGO – “Safe House” is so overly familiar that you not only will think that you’ve seen it before and know exactly where it’s going before it gets there, but you will also barely remember having seen it once it’s over.
CHICAGO – I frankly can’t imagine how any moviegoer could favor Mateo Gil’s somber, low-key genre exercise, “Blackthorn,” over George Roy Hill’s marvelously entertaining 1969 classic, “Butch Cassidy and the Sundance Kid.” Sure, Western buffs have often criticized Hill’s film for romanticizing its subject matter, yet there was a dark edge and tragic poignance in William Goldman’s script that earned the film its shattering ending.
CHICAGO – Western buffs have often criticized George Roy Hill’s 1969 classic, “Butch Cassidy and the Sundance Kid,” for romanticizing its subject matter to the point where it felt less concerned about its titular criminals and more interested in the friendship between stars Paul Newman and Robert Redford. Yet for all of the charm in William Goldman’s script, there was an underlying darkness and tragic poignance that allowed the final act to pack an unforgettable punch.