CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – When journalists were heroes and exposed those in power for their sins, movies were made like “All the President’s Men.” Gary Webb of the San Jose Mercury News was one of those journalist heroes during the 1990s, but he wasn’t celebrated in his time. The indictments, induced paranoia and outright lies against him are distinctly chronicled in the luminary “Kill the Messenger.”
CHICAGO – What happens when too much truth is exposed, and those who will feel the backlash from that exposure are too powerful? The new film “Kill the Messenger,” directed by Michael Cuesta, seeks an answer to that question through the true story of journalist Gary Webb, a victim of his own investigative reporting.
CHICAGO – No contemporary filmmaker has mastered the art of opinionated cinema better than Michael Moore. He doesn’t pretend to be fair and balanced, and he doesn’t claim to have all the answers. He’s more interested in raising questions that sorely need to be addressed and debated. There are few things more American than the act of questioning a system that most people have taken for granted.