CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
CHICAGO – When is comes to appreciating life, one great practitioner is Anson Williams, better known as the character “Potsie” from the 1970s TV series “Happy Days.” Williams wants to remind everybody to “pay it forward,” as he does in highlighting his unlikely mentor in his new book, “Singing to a Bulldog.”
CHICAGO – Defining the glory days of any sport is often centered on personal rivalries. The 1970s – notable for stand-offs like John McEnroe and Björn Borg – had a similarly contentious rivalry between Formula One car racers James Hunt and Niki Lauda, portrayed in Ron Howard’s “Rush.”
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of advance-screening movie passes up for grabs to the highly anticipated “Rush,” which is based on a true story and stars Chris Hemsworth from Ron Howard!
CHICAGO – The torch is being passed at Studio Ghibli from the great Hayao Miyazaki (“Princess Mononoke,” “Spirited Away”) to his son Goro, who directs this week’s tender “From Up on Poppy Hill,” certainly not one of the best in the Ghibli canon but a well-made, enjoyable melodrama nonetheless. A full awareness that it’s kind of a cheap melodrama (one of the characters even says so) doesn’t change the fact that it is but the young Miyazaki’s visual palette is notably beautiful and the voice work is strong throughout.
CHICAGO – I’m dating myself but I was a young, fantasy-obsessed teen when I first saw Ron Howard’s “Willow.” Revisiting it 25 years later in the newly-released Blu-ray, I was instantly stunned by how old the film looked. A lot of the physical effects, the general tone, the dialogue — it feels more like a ’70s movie than some ’80s fantasies that predate it (“Legend” and “Ladyhawke” come to mind). And a sinking feeling entered my bones. “Willow” isn’t great. Yes, it has some nostalgic charm and hardcore fans will dig the HD release but I hope you don’t have the same realization that I do that my 13-year-old self may have overrated it.
CHICAGO – Could this be the news fans of the old FOX series “Arrested Development” have been waiting for? Since the final episode of the canceled series aired on February 10, 2006, rumors and hope have swirled around that the comedy series would come back for a full length feature film. Now, the long wait may be over and fans could be getting more than just a movie.
CHICAGO – It’s easy to write off bad romantic comedies like “Something Borrowed” or “Valentine’s Day” but Ron Howard’s “The Dilemma” lives up to its title for this critic. There are elements that truly work but the film is tonally inconsistent and features a few near-awful supporting performances. Ultimately, it’s a marginally successful film, an unusual movie that passes the time without being truly memorable.
CHICAGO – In many ways, “The Dilemma” is director Ron Howard’s most daring film. Leaving behind the usual brightly lit, good/evil morality tales, Howard weaves a narrative basket filled with infidelity, gambling addiction, blackmail and mistrust.
Interview: Vince Vaughn, Ron Howard, Winona Ryder, Jennifer Connelly, Channing Tatum of ‘The Dilemma’Submitted by HollywoodChicago.com on January 12, 2011 - 5:45pm
CHICAGO – After a 12-year hiatus from comedy (his last was “Edtv” in 1999), the legendary (and typically dramatic) director Ron Howard is back to crack you up with “The Dilemma”.