Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – “The Hour” recently finished its run on BBC America and was very quickly released on Blu-ray from BBC and Warner Bros. The quick turnaround is a brilliant move on the part of the company, striking while the iron is hot if you will. If they released “The Hour” in 6 to 9 months it wouldn’t have the same impact. Now, people talk about having watched the show to their friends and they can go out and see what the buzz is about for themselves. I’m surprised more studios don’t follow the same pattern.
CHICAGO – BBC America’s “The Hour,” debuting tomorrow night, August 17th, 2011, is a well-produced, well-acted, well-conceived piece that’s just…well. It’s a great piece of drama to use as an example as to how quality television is more than just the sum of its parts.
CHICAGO – Sometimes catalog titles are pulled from the vaults and given the HD upgrade for tie-in reasons that are obvious, but why now for Joe Wright’s “Pride & Prejudice” and “Atonement”? Is it because “Atonement” breakthrough star Saoirse Ronan is appearing in “The Lovely Bones”?
CHICAGO – The third week of the 12th Annual EU Film Festival at the Siskel Film Center is nearly upon us and we’re back to give you an idea of what to expect in the second half of arguably the best fest in the Windy City.