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Robert Taylor

TV Review: A&E Mystery Series Return in ‘Longmire,’ ‘The Glades’

CHICAGO – A&E’s “Longmire,” returning tonight for its second season, can be a great show. It’s an underrated Western-mystery hybrid with a stellar lead performance from Robert Taylor and a heavy dose of “No Country For Old Men” atmosphere. “The Glades,” also returning tonight for its fourth season, is a more inconsistent program but has produced some solid episodes over its run.

TV Review: Strong Characters, Interesting Setting Elevate ‘Longmire’

CHICAGO – Taking a modern day cowboy character from an Elmore Leonard novel and giving him his own show turned out to be a smart move for FX when they green-lit “Justified,” so one can hardly blame A&E for attempting a similar transition with Craig Johnson’s “Longmire” mystery novels, now a weekly series.

Blu-Ray Review: ‘Quo Vadis’ is a Classic Made For the Era of HD

Quo Vadis
HollywoodChicago.com Blu-Ray Rating: 4.0/5.0
Blu-Ray Rating: 4.0/5.0

CHICAGO – It might be a generational thing, but I’ll never understand why people watch movies on smaller and smaller screens like their laptop, cell phone, or iPod. Maybe it’s because I grew up thinking of classic movies as epic adventures that should be larger than life. Movies were arguably never “bigger” than they were in the era of “Quo Vadis,” now available on Blu-Ray.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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