Robert Altman

Interview: Geraldine Chaplin, at 52nd Chicago International Film Festival

CHICAGO – She is the oldest daughter of movie legend Charlie Chaplin, from his fourth marriage to Oona O’Neill, but she also was a spectacular actress in her own right. She is Geraldine Chaplin, and she was honored at the 52nd Chicago International Film Festival, and was president on a film jury for the fest.

Interview: Actor Paul Dooley on Getting to Portray Dad

Paul Dooley, Part Two

CHICAGO – After he reigned as the father in the classic 1979 film “Breaking Away,” actor Paul Dooley suddenly became everyone’s Dad – and by everyone that meant Molly Ringwald (“Sixteen Candles”), Julia Roberts (“Runaway Bride”) and Helen Hunt (“Mad About You”). He tells all in PART TWO of a comprehensive interview.

Interview: Actor Paul Dooley of ‘Breaking Away,’ ‘Sixteen Candles’

CHICAGO – If there ever was a quintessential “Dad” in movies of the last generation, it would have to be Paul Dooley. The comedian and character actor is best known for portraying the patriarch in “Breaking Away” (1979) and “Sixteen Candles” (1984), but was also in director’s Robert Altman’s ‘ensemble’ and has had a stellar career.

Blu-ray Review: Fantastic Set For Altman’s Beloved ‘Nashville’

Nashville

When I expressed excitement over the fact that Robert Altman’s stunning “Nashville” was being released in a Criterion Collection Blu-ray edition a few months back, a colleague asked me why I loved the film and I had trouble verbalizing my feelings about Altman’s sprawling, brilliant tapestry of characters. Watching the excellent new documentary about the making-of the film on the Criterion release makes it clear that I’m not alone.

Blu-Ray Review: Robert Altman’s ‘3 Women’ Remains Mesmerizing

3 Women

CHICAGO – One of the most remarkable things about Robert Altman was his refusal to give in to the pressures of pleasing an audience. He made films for himself. There may be no better example of this than “3 Women,” a film that defies too much examination in part because it’s purposefully vague as it was based on a dream of Mr. Altman’s. He had a dream, woke up, and turned it into a treatment, from which they shot the movie. It’s surreal, bizarre, and totally mesmerizing, and is one of the newest Criterion Blu-rays.

Blu-Ray Review: Robert Altman’s ‘The Player’ Has Lost None of Its Power

The Player

CHICAGO – Robert Altman’s “The Player” is one of the more important and influential films in the life of this film critic. It came out at a time when the film industry was in a bit of a slump and stood out as an original, creative, mesmerizing vision that I feel helped usher in a period of such productivity in the ’90s. It is a brilliant masterpiece that has lost none of its power almost twenty years after its release.

DVD Review: Lost Robert Altman Comedy ‘Brewster McCloud’

Brewster McCloud

CHICAGO – Robert Altman made very few films that didn’t have at least a few redeeming qualities and often much more than that faint praise. Even Altman’s relative failures were often fascinating in their own way. Such a film is 1970’s “Brewster McCloud,” a work nowhere near as beloved as some of his ’70s comedies but that definitely warrants a look on its newly remastered DVD, available exclusively through the WB Shop online.

Interviews: ‘M*A*S*H’ Up! ‘Trapper John, M.D.’ at the Hollywood Celebrities Show

CHICAGO – The film and TV journey of “M*A*S*H” was recently present at the Hollywood Celebrities Show in Rosemont, Illinois. From the film, Elliott Gould and Sally Kellerman were there, as well as Gregory Harrison of “Trapper John, M.D.”

Blu-Ray Review: ‘M*A*S*H’ Still Resonates Nearly Four Decades Later

MASH

CHICAGO – I worry that young people out there raised on syndicated reruns don’t know that the beloved TV show “M*A*S*H” is actually based on not just any movie but a great comedy featuring two actors at or near their prime and directed by one of the best directors that ever lived. Perhaps a great new Blu-Ray release from Fox will correct the oversight.

Julianne Moore Pushes Freudian Implications to Limit in ‘Savage Grace’

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge. From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.

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