Robert Altman

CHICAGO – One of the most remarkable things about Robert Altman was his refusal to give in to the pressures of pleasing an audience. He made films for himself. There may be no better example of this than “3 Women,” a film that defies too much examination in part because it’s purposefully vague as it was based on a dream of Mr. Altman’s. He had a dream, woke up, and turned it into a treatment, from which they shot the movie. It’s surreal, bizarre, and totally mesmerizing, and is one of the newest Criterion Blu-rays.

CHICAGO – Robert Altman’s “The Player” is one of the more important and influential films in the life of this film critic. It came out at a time when the film industry was in a bit of a slump and stood out as an original, creative, mesmerizing vision that I feel helped usher in a period of such productivity in the ’90s. It is a brilliant masterpiece that has lost none of its power almost twenty years after its release.

CHICAGO – Robert Altman made very few films that didn’t have at least a few redeeming qualities and often much more than that faint praise. Even Altman’s relative failures were often fascinating in their own way. Such a film is 1970’s “Brewster McCloud,” a work nowhere near as beloved as some of his ’70s comedies but that definitely warrants a look on its newly remastered DVD, available exclusively through the WB Shop online.

CHICAGO – The film and TV journey of “M*A*S*H” was recently present at the Hollywood Celebrities Show in Rosemont, Illinois. From the film, Elliott Gould and Sally Kellerman were there, as well as Gregory Harrison of “Trapper John, M.D.”

CHICAGO – I worry that young people out there raised on syndicated reruns don’t know that the beloved TV show “M*A*S*H” is actually based on not just any movie but a great comedy featuring two actors at or near their prime and directed by one of the best directors that ever lived. Perhaps a great new Blu-Ray release from Fox will correct the oversight.

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge. From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.

CHICAGO – Move over, Superman. This lush, high-octane playboy never tasted so good.

Robert Downey Jr. fittingly opens “Iron Man” with a cocktail in hand and all the arrogance in the world. As the story goes, his conceit is indeed respected as Earth is his oyster both for the playing and for the taking. With the American marketing machine in full effect for 2008’s first summer blockbuster, the inaugural one lives up to the buildup.