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Richard Pryor

Interview: Harry Lennix on Digital Release of ‘Mr. Sophistication’

CHICAGO – One of the more unique independent films that worked the festival circuit in 2012 and ’13 was the drama “Mr. Sophistication.” The main character was Ron Waters, a comedian described as “Richard Pryor’s protegé.” Actor Harry Lennix took on the character, breathing in both the drama of the show business story and the particular style of stand-up.

DVD Review: Capture Comedy Genius with ‘No Pryor Restraint: Life in Concert’

No Pryor Restraint

CHICAGO – One of the most remarkable and influential elements of Richard Pryor’s groundbreaking stand-up comedy was how completely bare he laid himself on stage through his art. He held nothing back. He shared not only jokes but personal stories, including the dark stuff. And so when Shout Factory named their massive tribute to the comedian “Life in Concert,” they got something absolutely right.

TV Review: ‘Richard Pryor: Omit the Logic’ Stays on Surface

CHICAGO – A bit too much of “Richard Pryor: Omit the Logic,” premiering tonight, May 31, 2013, on Showtime, is devoted to adoration of its subject matter from his peers and friends, and not enough insight is offered into from where the true talent or serious demons of the man originated. Perhaps no one really knows.

Interview: Foxy! Pam Grier Remembers ‘My Life in Three Acts’

CHICAGO – Pam Grier has a strong, peaceful aura. After inventing the female action hero in her early 1970s hits “Coffy” and “Foxy Brown,” Grier has navigated her life through optimistic success. She was in Chicago for a book signing at Borders State Street, promoting ‘Foxy: My Life in Three Acts.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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