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Ray Park

Film Review: ‘G.I. Joe: Retaliation’ Almost Turns Macho Stupidity Into Art

CHICAGO – “G.I. Joe: Retaliation” is the kind of dumb summer action blockbuster that works in the season when the kids aren’t in school and the movie theater is used as an excuse to get in the air conditioning as much as see anything approaching filmmaking. It nearly works in March. Nearly.

Film Review: Eye-Popping 3D, Same Story in ‘Star Wars: Episode 1 – The Phantom Menace’ Rerelease

CHICAGO – Jar Jar Binks is back, and George Lucas has him in 3D. Yes, the re-release of 1999’s “Star Wars: Episode 1 – The Phantom Menace,” takes advantage of the new 3D technology.

DVD Review: Catch Up With Animated ‘G.I. Joe’ Before ‘Rise of the Cobra’

G.I. Joe: A Real American Hero

CHICAGO – “Yo Joe!” Before Paramount unleashes “G.I. Joe: Rise of the Cobra” in theaters on August 4th, 2009, viewers should catch up with the height of the phenomenon with Shout Factory’s “G.I. Joe: A Real American Hero: Season 1.1,” now available on DVD.

Video: Preview For ‘G.I. Joe: The Rise of Cobra’ Video Game

G.I. Joe

CHICAGO – The trailer for the video game based on one of this summer’s more-likely blockbusters, “G.I. Joe: The Rise of Cobra” was released by Electronic Arts this week and we wanted to share.


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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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