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Ran

Akira Kurosawa’s ‘Ran’ a Must-See on the Big Screen

Akira Kurosawa of "Ran"

CHICAGO – Of all the cinematic variations on Shakespeare’s “King Lear,” Akira Kurosawa’s “Ran” is one of the few that, dare I say, improves on the Bard’s original blueprint.

Blu-Ray Review: ‘Contempt,’ ‘The Ladykillers,’ ‘Ran’

Contempt

CHICAGO – I have to admit to a bit of trepidation every time a studio outside of the widely acknowledged masters tries their hand at catalog releases but the Lionsgate/StudioCanal Blu-ray releases of “Contempt,” “The Ladykillers,” and “Ran” are spectacular. Not only do the films look amazing in HD but they’ve been given copious special features. Don’t miss them.

DVD Review: Akira Kurosawa Returns to Criterion Collection With ‘Dodes’da Ken’

Dodes'da Ken
HollywoodChicago.com DVD Rating: 4.0/5.0
DVD Rating: 4.0/5.0

CHICAGO – I’m not sure, but I think there are more Akira Kurosawa titles available in the Criterion Collection than any other filmmaker. His classic films like “Ran,” “Rashomon,” “Seven Samurai,” and “Yojimbo” have been critically acclaimed releases for the influential series of DVDs. His 24th title in the Criterion Collection is last week’s “Dodes’da Ken,” one of the greatest directors of all time’s first film in color.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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