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Phil Keoghan

TV Review: CBS Hit Returns With Goofy Edition of ‘The Amazing Race’

CHICAGO – One of the reasons that CBS’s “The Amazing Race” has been as critically-acclaimed and award-winning as it has over its successful run is the balance of regular people with more typical larger-than-life reality personalities. The show’s stellar editing team is the main reason the program works and host Phil Keoghan would be right behind in close second.

TV Review: ‘The Amazing Race: Unfinished Business’ Offers Second Chance

CHICAGO – The Emmy Award-winning CBS hit “The Amazing Race” returns tonight, Feb. 20th, 2011, with a group of familiar faces, most of them red from embarrassment at the mistakes they made last time and looking to correct them on the new season, appropriately titled “Unfinished Business.”

TV Review: New Season of ‘The Amazing Race’ Hardly a Game-Changer

CHICAGO – There is absolutely nothing amazing about “The Amazing Race.” There’s also nothing that’s exciting, innovative, insightful or original about this long-running reality contest, despite the fact that it’s garnered twelve Primetime Emmys.

TV Review: ‘The Amazing Race’ on CBS Begins 14th Race Around the World

Amazing Race
HollywoodChicago.com Television Rating: 4.5/5.0
Television Rating: 4.5/5.0

CHICAGO – For six years there has been an Emmy Award for Outstanding Reality Competition Program and for every one of those years the same show has walked home with the trophy, beating series like “Project Runway,” “Survivor,” and “American Idol”. That show is “The Amazing Race”. Based on the strength of the premiere, it seems likely the producers of this CBS mainstay should probably make room for Emmy #7.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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