CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Capturing one of the most familiar woman of the last fifty years would seem impossible, except when focusing on one of the defining moments of her life. “Jackie” reveals Jacqueline Kennedy during the time of her husband John’s assassination, and when the nation lost a president.
CHICAGO – The appeal of Westerns was mostly lost on me when I was younger. The tales of these hypermasculine wanderers, answering every problem with a gun, never appealed to me. When I got older, I discovered their messages of honor and self-defense against corruption. The genre proved it could be more than one-liners and shootouts, but “The Magnificent Seven” set out to be only that.
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CHICAGO – It was one of the strangest star-is-born stories in show business history. One porn film – “Deep Throat” – permeates the American consciousness at precisely the right time. The “lead” actress in the film becomes a household name – and then becomes a victim of it – in ‘Lovelace.’
CHICAGO – The auteur Woody Allen is one of the most prolific post-studio-system directors, averaging one film a year for close to 40 years. His meditations on life have become part of the culture, and he brilliantly expresses himself once again – with help from Cate Blachett – in the emotional “Blue Jasmine.”
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CHICAGO – There are times when the third season premiere of AMC’s “The Killing” shows the signs of a program that was resurrected from the dead. The series was axed by AMC after a controversial end to the first season and disappointing second one.
CHICAGO – Frank’s world is fading before his eyes. With his wife gone and his children all grown up, Frank lives a reclusive existence, though he doesn’t seem to be in particular need of company. His memory may be fading, but his instincts as a retired cat burglar are still ever-present. He can’t helping stuffing a few soap figurines into his pockets while casually browsing through a store.
CHICAGO – After the abysmal theatrical reviews, I thought it would be easier to completely dismiss “Green Lantern,” the least-acclaimed and least-profitable of the Summer 2011 Superhero Quartet (which also included “X-Men: First Class,” “Thor,” and “Captain America: The First Avenger” — and I would rank them in that order in terms of quality with “GL” bringing up the rear). The fact is that this is not an “Elektra” or “Ghost Rider”-level mess. There are things about Martin Campbell’s film that work, especially in the first half, but a goofy story and aesthetic ultimately sink the film to cartoonish levels.
CHICAGO – The tipping point is close approaching in the super hero movie aura, especially as the B-list get their moment in the projection machine. “Green Lantern,” featuring Ryan Reynolds, stays true to its comic book roots, but lacks any cohesive passion within the main story.