CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?
CHICAGO – “I like you. You say what you mean.” Showtime’s brilliant new show, “Ray Donovan,” is titled after a straightshooter in a town where no one is honest; a problem solver in a place built on mountains of problems. Ann Biderman’s stunning drama (directed and produced by “Sopranos” vet Allen Coulter) is the kind of dense patchwork quilt of character and theme that separate great shows from merely good ones.
CHICAGO – There are reasons to worry about “House.” Let’s look at the symptoms. First, the temperature — the show’s ratings. They’re down nearly 50% from the season-three peak, averaging just under 10 million last year, down from closer to 13 million the year before. They’re still impressive numbers but when there were rumors of a network shift or even cancellation last year, no one was shocked.
CHICAGO – Last season of “House” opened with a divisive episode in which our beloved doctor (Hugh Laurie) spent some time away from Princeton-Plainsboro Teaching Hospital in a “Cuckoo’s Nest”-inspired tale of potential madness. Once again, the writers of one of the most successful shows of the last decade have chosen to start the new season of “House” with something a bit left-of-center in “Now What?,” premiering tonight on FOX, but this episode may have longer-lasting repercussions.