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Peter Fonda

Blu-Ray Review: John Carpenter’s ‘Escape From L.A.’ With Kurt Russell

Escape From L.A.

CHICAGO – There is no Blu-ray justice. The great “Escape From New York” sits unavailable in HD, along with dozens of other great movies of its era, but the vastly inferior sequel “Escape From L.A.” lands on the format this week. “L.A.” isn’t a horrible film, but it works mostly because of the goodwill created by love for the original, which makes that film’s unavailability on the format all the more bewildering.

Blu-Ray Review: Cult Phenomenon Continues in ‘Boondock Saints II: All Saints Day’

Boondock Saints II

CHICAGO – The first “Boondock Saints” was so over-the-top that its abundance of style actually became substance. While I certainly don’t bow to the film like so many of its devoted fans, I totally get the obsession with it that led to a surprising sequel and even a comic book. The movie is fun. And that’s where the sequel fails. “Boondock Saints II: All Saints Day” is bloated and boring, missing the spark that made the first a surprising cult hit.

Interview: Peter Fonda on His Life, Style as an ‘Easy Rider’

CHICAGO – Peter Fonda, part of Hollywood acting royalty, made his mark with the counterculture classic “Easy Rider” in 1969. Fonda made an appearance last weekend at the Hollywood Palms Cinema in Naperville to introduce that seminal film.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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