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Peter Fonda

Blu-Ray Review: John Carpenter’s ‘Escape From L.A.’ With Kurt Russell

Escape From L.A.

CHICAGO – There is no Blu-ray justice. The great “Escape From New York” sits unavailable in HD, along with dozens of other great movies of its era, but the vastly inferior sequel “Escape From L.A.” lands on the format this week. “L.A.” isn’t a horrible film, but it works mostly because of the goodwill created by love for the original, which makes that film’s unavailability on the format all the more bewildering.

Blu-Ray Review: Cult Phenomenon Continues in ‘Boondock Saints II: All Saints Day’

Boondock Saints II

CHICAGO – The first “Boondock Saints” was so over-the-top that its abundance of style actually became substance. While I certainly don’t bow to the film like so many of its devoted fans, I totally get the obsession with it that led to a surprising sequel and even a comic book. The movie is fun. And that’s where the sequel fails. “Boondock Saints II: All Saints Day” is bloated and boring, missing the spark that made the first a surprising cult hit.

Interview: Peter Fonda on His Life, Style as an ‘Easy Rider’

CHICAGO – Peter Fonda, part of Hollywood acting royalty, made his mark with the counterculture classic “Easy Rider” in 1969. Fonda made an appearance last weekend at the Hollywood Palms Cinema in Naperville to introduce that seminal film.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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