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Peter Fonda

Blu-Ray Review: John Carpenter’s ‘Escape From L.A.’ With Kurt Russell

Escape From L.A.

CHICAGO – There is no Blu-ray justice. The great “Escape From New York” sits unavailable in HD, along with dozens of other great movies of its era, but the vastly inferior sequel “Escape From L.A.” lands on the format this week. “L.A.” isn’t a horrible film, but it works mostly because of the goodwill created by love for the original, which makes that film’s unavailability on the format all the more bewildering.

Blu-Ray Review: Cult Phenomenon Continues in ‘Boondock Saints II: All Saints Day’

Boondock Saints II

CHICAGO – The first “Boondock Saints” was so over-the-top that its abundance of style actually became substance. While I certainly don’t bow to the film like so many of its devoted fans, I totally get the obsession with it that led to a surprising sequel and even a comic book. The movie is fun. And that’s where the sequel fails. “Boondock Saints II: All Saints Day” is bloated and boring, missing the spark that made the first a surprising cult hit.

Interview: Peter Fonda on His Life, Style as an ‘Easy Rider’

CHICAGO – Peter Fonda, part of Hollywood acting royalty, made his mark with the counterculture classic “Easy Rider” in 1969. Fonda made an appearance last weekend at the Hollywood Palms Cinema in Naperville to introduce that seminal film.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Emmy Awards, Bryan Cranston

    LOS ANGELES – It was one more lap around the victory track for the AMC-TV show ‘Breakling Bad,’ as the gritty drama about a teacher turned meth dealer took home six Primetime Emmy Awards at the 66th ceremony on August 25th. ‘Modern Family’ took home the statue for Outstanding Comedy Series for a a fifth straight year.

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

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