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Peter Fonda

Blu-Ray Review: John Carpenter’s ‘Escape From L.A.’ With Kurt Russell

Escape From L.A.

CHICAGO – There is no Blu-ray justice. The great “Escape From New York” sits unavailable in HD, along with dozens of other great movies of its era, but the vastly inferior sequel “Escape From L.A.” lands on the format this week. “L.A.” isn’t a horrible film, but it works mostly because of the goodwill created by love for the original, which makes that film’s unavailability on the format all the more bewildering.

Blu-Ray Review: Cult Phenomenon Continues in ‘Boondock Saints II: All Saints Day’

Boondock Saints II

CHICAGO – The first “Boondock Saints” was so over-the-top that its abundance of style actually became substance. While I certainly don’t bow to the film like so many of its devoted fans, I totally get the obsession with it that led to a surprising sequel and even a comic book. The movie is fun. And that’s where the sequel fails. “Boondock Saints II: All Saints Day” is bloated and boring, missing the spark that made the first a surprising cult hit.

Interview: Peter Fonda on His Life, Style as an ‘Easy Rider’

CHICAGO – Peter Fonda, part of Hollywood acting royalty, made his mark with the counterculture classic “Easy Rider” in 1969. Fonda made an appearance last weekend at the Hollywood Palms Cinema in Naperville to introduce that seminal film.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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