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Peter Farrelly

Film Review: ‘Dumb and Dumber To’ Too Dumb to Be Funny

CHICAGO – “Dumb And Dumber To” is an exercise in diminishing returns. Jim Carrey and the Farrelly Brothers expend twice the effort for less than a third of the laughs. It benefits greatly from the enormous well of goodwill created by the original’s inspired idiocy.

Blu-ray Review: Bowling Comedy ‘Kingpin’ Rolls Onto Blu-ray

Kingpin Blu-ray

CHICAGO – Before 1998’s “The Big Lebowski” there was 1996’s “Kingpin”, the Farrelly brothers bowling comedy that didn’t have the narrative intricacies of the Coen brothers’ classic, but had plenty of jokes about middle-aged men playing the sport. Today finds the release of “Kingpin” to Blu-ray for the first time, coming with only one new special feature.

Blu-ray Review: ‘Movie 43’ Should Get Dozens of Agents Fired

Movie 43

CHICAGO – “Movie 43” is sometimes, most of the time, breathtakingly awful. It’s the kind of material that would get booed on “America’s Got Talent,” gonged on “The Gong Show,” and kicked out of an open mic night at a local comedy club. It’s just insanely stupid. And baffling. Not one, not two, but dozens of people, many of them incredibly talented, thought “Yeah, that’s funny.

Blu-ray Review: ‘The Three Stooges’ Offers Modest Family Fun

The Three Stooges

CHICAGO – I must admit that I approached the Farrelly Brothers’ long-delayed reboot of “The Three Stooges” with a heavy amount of trepidation. The previews were pretty atrocious and I had serious doubts that the filmmakers and the actors chosen to play the iconic title characters had any chance of capturing the spirit of the original. The fact that “The Three Stooges” works as often as it does is somewhat surprising. It’s a reasonably enjoyable family film. Far from painful but just as far from brilliant.

Blu-Ray Review: Owen Wilson, Jason Sudeikis in Mediocre ‘Hall Pass’

Hall Pass

CHICAGO – I SO wanted “Hall Pass” to be good. Not only do we need the men who made “There’s Something About Mary” and “Kingpin” back in prime form but the timing of their return seems perfect — who better to ride the wave of R-rated comedies inspired by the success of “The Hangover”? Sadly, “Hall Pass” is a hit-and-miss affair that falls too often on the wrong side of that comedy corridor. It’s a reasonable rental on a rainy night but not the return to form fans of the Farrelly brother’s greats were hoping for.

Film Review: Owen Wilson, Jason Sudeikis Skate By in ‘Hall Pass’

CHICAGO – The Farrelly Brothers’ “Hall Pass” is a near-miss for the directors of “There’s Something About Mary” and “Dumb & Dumber” that features enough laughs to remember when the boys were in their prime but ultimately doesn’t come enough together to get them back to it.

Interview: Peter Farrelly, Pete Jones Issue Comedy ‘Hall Pass’

CHICAGO – After a brief hiatus, Bobby and Peter Farrelly are back with the comedy “Hall Pass,” starring Owen Wilson, Jason Sudeikis, Jenna Fischer, and Christina Applegate. Wilson and Sudeikis play a pair of married men longing for some time off from their marriages when they’re handed a week without repercussions. What would you do with a week-long hall pass?

Interview: Richard Jenkins on First Lead Role in ‘The Visitor,’ ‘Six Feet Under,’ Coen Brothers

DeKALB, Ill. – Richard Jenkins is a familiar if not overly recognizable character actor. With his distinctly grave voice, he’s best known for his turn as the dead father in the seminal HBO series “Six Feet Under”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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