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Paul Reiser

Film Review: ‘The Spy Who Dumped Me’ Didn’t Need the Spy Part

CHICAGO – It’s been a long time since I’ve seen a film completely stolen by a supporting character, but Kate McKinnon in “The Spy Who Dumped Me” managed to do just that… which was fortunate because the “spy” part of the story is a seen-it-before kill and gun fest that felt like the first draft of a James Bond knock-off.

Film Review: Despite One Premise, Laughs Are Plenty in ‘The Little Hours’

Little Hours, The

CHICAGO – It occurred to me in assessing “The Little Hours” that the basic premise is somewhat like “The Beguiled” – a man is taken in, rooster-like, into a henhouse where there are women with “needs.” Except this time, instead of a girl’s boarding school, it is a 14th Century nunnery. Get thee to it, if thou wants to laugheth.

Film Review: ‘Concussion’ Can’t Quite Tackle its Difficult Subject

Concussion

CHICAGO – “Concussion” suffers from what I call the “Moneyball” problem – it’s got an interesting subject matter, but it doesn’t seem to know what to do with it. It doesn’t have enough faith in its own material or its audience, so it stocks up on a lot of off-the-shelf melodrama in effort to avoid digging into what makes the story interesting in the first place. It’s also a movie that chickens out at the end and seems afraid to pick a fight.

Film Review: ‘Whiplash’ Finds a Big Rhythm, Gives it a Backbeat

CHICAGO – When is the last time you had a bit of sweat after coming out of a movie? “Whiplash” will do that, and it contains not one action sequence or superhero, unless you consider J.K. Simmons as a sociopathic music guru a hero (he is in a way), and drumming as action (it is).

Interview: Director Damien Chazelle Cracks the ‘Whiplash’

CHICAGO – Simply one of the best movies of 2014, “Whiplash” has a tone, energy and sensibility all its own. Damien Chazelle wrote and directed the story of a jazz drummer prodigy at a prestigious New York City music college, tortured by his tyrannical instructor. The drama is scintillating, in rhythm with the natural story flow.

TV Review: Michael Douglas, Matt Damon in ‘Behind the Candleabra’

CHICAGO – It could have been so awful. Liberace was such an over-the-top character that capturing his most extreme behavior in the form of a TV movie could have been the kind of campy thing that deserves comparison to “Showgirls.”

TV Review: ‘The Paul Reiser Show’ Diminishes Legacy of Sitcom Star

CHICAGO – Tonight’s premiere of “The Paul Reiser Show” is awkward in the way that television is when the viewer can tell that not only is it not quite working for you but that the cast can tell its problematic too. Have you ever seen bad improvisational comedy? You know that moment when you can see in the performer’s eyes that it’s not going well?

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  • Stephanie Buxbaum

    CHICAGO – In the history of “Reality TV” there has been periods of up-and-down popularity, shows that have been around seemingly forever (“Big Brother,” “Amazing Race”) and spinoffs to new styles like “documentary series” as networks like the National Geographic Channel emerged. In all those permutations, producer Stephanie Buxbaum has experienced it all, and has the career and stories to prove it.

  • Deadbeat2

    CHICAGO – Not many web series start out as music videos, but the new online (YouTube) drama “Deadbeat 2” was just that. Created, written and directed by Danny Froze, the made-in-Chicago story recently premiered episodes five and six in the series, which features actor Kiwaun Stoutmire in the lead role of Ronnie.

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