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Paul Giamatti

Film Review: ‘Morgan’ Takes Out Intelligence in Artificial Intelligence

CHICAGO – There is nothing like the feeling of watching a completely immersive sci-fi film that delivers the complexity of technology in a modest package, and uses elements of nature to create a beautiful contrast. Unfortunately, “Morgan” doesn’t deliver on the enlightenment it promises.

Film Review: N.W.A. Influences an Era in ‘Straight Outta Compton’

CHICAGO – Gangsta rap, like all the revolutionary and society bending genres before it, was formulated from dire frustration and a need to shake up the surroundings that encased their creators. The prime movers of gangsta was the group N.W.A., and their story is told in ‘Straight Outta Compton.’

Interview: Actor Thomas Haden Church is Character Driven in ‘Max’

CHICAGO – Thomas Haden Church has the recognizable name, and a long career of character roles in comedy and drama. His laid-back persona gets a bit more intense as a conflicted father in the new film “Max,” about a military dog who comes home to an uncertain future with a grieving family.

Film Review: Brian Wilson Redeems His Soul in ‘Love & Mercy’

CHICAGO – Brian Wilson has been called one of the greatest songwriters in popular music history. His tonality and approach towards his best compositions have been studied like Mozart. In “Love & Mercy,” we see that the thing that made Wilson great also had the power to destroy him.

Interview: John Cusack Channels Brian Wilson in ‘Love & Mercy’

CHICAGO – John Cusack has never rested on his laurels, which are many in his film career, nor stood still as an artist or an actor. His latest film is the magnificent “Love & Mercy,” in which he portrays music legend Brian Wilson of The Beach Boys as a middle aged man, trying to break free of the circumstances in his life.

Interview: Music Icon Brian Wilson Taps Into ‘Love & Mercy’

CHICAGO – Singer/composer Brian Wilson, best known as the mastermind behind The Beach Boys, enters a room. His biographic circumstance and music history immediately fills that room. His life story is now brilliantly set to film, as he is portrayed by Paul Dano and John Cusack through different life stages in “Love & Mercy.”

Film Review: ‘San Andreas’ Loads Its Story with Too Many Faults

CHICAGO – The best way, perhaps the only way, to enjoy the disaster movie “San Andreas” is to check your brain at the door, or better yet leave it at home for safekeeping. Bringing new meaning to the term mindless entertainment, “San Andreas” dares its audience to turn off their minds, and enjoy the ride.

Film Review: Terribly Scripted ‘San Andreas’ With Dwayne Johnson a Heartless Special Effects Spectacle

CHICAGO – When the story is as weak as the film’s fault lines and the character development never develops, the problem with blowing $100 million mostly on special effects is all you’re left with is unintelligent disaster porn.

Film Review: ‘The Amazing Spider-Man 2’ Can’t Find Its Swing

CHICAGO – “The Amazing Spider-man 2” continues what has become the J.V. Team of super-hero film franchises. The building blocks are there for success, but the talent on the field isn’t capable of pulling it off. Like it’s predecessor, this sequel does not aim to entertain and create a lasting impression, instead it aims to stave off boredom for just long enough.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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