CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – “Bridget Jones’s Baby” is the kind of geriatric sequel that makes you retroactively question whether the original film that inspired it was all that good to begin with – it’s less a film than a labored collection of contrived situations involving pregnancy and pratfalls. It’s not painfully unwatchable, but it’s unlikely to inspire anything remotely resembling amusement in its audiences.
CHICAGO – After the not-so-surprising success of the heavily marketed farce “The Hangover,” Jon Lucas and Scott Moore have quickly become Hollywood’s most overrated screenwriters. They specialize in injecting high concepts with frat-boy vulgarity, mean spirited gags and entirely superficial warmth. If Zach Galifianakis hadn’t bolstered “Hangover” with his deadpan genius, the film almost surely would’ve flopped.
CHICAGO – What is truly astounding about “Transformers: Dark of the Moon” is how overwhelming it is to take in – there is so much going on that sensory overload is a distinct possibility. Shia LaBeouf stars in the latest Transformers film, now on Blu-Ray and DVD.
CHICAGO – With “Transformers 3” filming now in Chicago (and destroying our Magnificent Mile in the name of blockbuster moviemaking), we’ve seen pictures pop up all across the Web of Michael Bay’s magic in action.