CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – The six foot, eight inch Brad Garrett is used to towering over the competition, but it is his comedic chops that got him the part of Robert Barone in the popular sitcom “Everybody Loves Raymond.” Garrett was at Hollywood Palms Cinema, on behalf of Anderson’s Bookshop, both in Naperville, Ill., to promote his new book, “When the Balls Drop.”
CHICAGO – Liberty is a concept expressed only in irony with “Moms’ Night Out,” a female-driven minivan comedy that instructs ultimately to listen to thy husband for it is Biblical, even if thy husband is a child himself. Like sad Mitt Romney and his chocolate milk, this PG-romp is a brief walk on the wild side from the rules that await at the end of the night.
CHICAGO – We have written several times about the strength of the 2009-2010 television season with an incredible number of rookie hits and many of those great programs are now coming out on DVD.
CHICAGO – In our latest edition of HollywoodChicago.com Hookup: DVD, we have three DVDs up for grabs to the single-camera comedy “The Middle” on ABC with Patricia Heaton
CHICAGO – Stephen McPherson, president, ABC Entertainment Group, announced early pick-ups of the network’s hit Wednesday night comedies “Cougar Town,” “The Middle” and “Modern Family” for the 2010-2011 Season yesterday during the Television Critics Association Winter Press Tour.
CHICAGO – Just as Kelsey Grammer returns to familiarly snobby territory with “Hank,” his “Back to You” co-star Patricia Heaton returns to the life of the harried matriarch with “The Middle,” but the results are vastly different. Where “Hank” feels like a relic, “The Middle” updates the working mother for a new generation and mostly delivers.