CHICAGO – It’s 3am on Saturday night/Sunday morning on August 20th, and you’re just not ready to quit. How about indulging in the 2016 “Abbie Hoffman Died for Our Sins” Theater Festival? The three-day theater marathon is in its 28th edition, and will be sponsored for the final time by the Mary-Arrchie Theatre Company, and hosted by the “Godfather of Storefront Theater,” Rich Cotovsky. It all takes place at the Den Theatre, 1333 N. Milwaukee in Chicago (details below).
CHICAGO – The six foot, eight inch Brad Garrett is used to towering over the competition, but it is his comedic chops that got him the part of Robert Barone in the popular sitcom “Everybody Loves Raymond.” Garrett was at Hollywood Palms Cinema, on behalf of Anderson’s Bookshop, both in Naperville, Ill., to promote his new book, “When the Balls Drop.”
CHICAGO – Liberty is a concept expressed only in irony with “Moms’ Night Out,” a female-driven minivan comedy that instructs ultimately to listen to thy husband for it is Biblical, even if thy husband is a child himself. Like sad Mitt Romney and his chocolate milk, this PG-romp is a brief walk on the wild side from the rules that await at the end of the night.
CHICAGO – We have written several times about the strength of the 2009-2010 television season with an incredible number of rookie hits and many of those great programs are now coming out on DVD.
CHICAGO – In our latest edition of HollywoodChicago.com Hookup: DVD, we have three DVDs up for grabs to the single-camera comedy “The Middle” on ABC with Patricia Heaton
CHICAGO – Stephen McPherson, president, ABC Entertainment Group, announced early pick-ups of the network’s hit Wednesday night comedies “Cougar Town,” “The Middle” and “Modern Family” for the 2010-2011 Season yesterday during the Television Critics Association Winter Press Tour.
CHICAGO – Just as Kelsey Grammer returns to familiarly snobby territory with “Hank,” his “Back to You” co-star Patricia Heaton returns to the life of the harried matriarch with “The Middle,” but the results are vastly different. Where “Hank” feels like a relic, “The Middle” updates the working mother for a new generation and mostly delivers.