CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – He is one of the most prolific American directors of the modern cinema era, and has also forged a career as stand-up comedian, actor, playwright and screenplay artist. He is Woody Allen, and he walked the Red Carpet at the Chicago History Museum on July 21st, 2016, for his new film ‘Café Society.’
CHICAGO – In the 1930s, the contrast between the world of Hollywood movie sparkle and the rest of a Depression-era America was as different as peasants and kings. Writer/director Woody Allen captures this dichotomy with an East Coast/West Coast tale of one family in “Café Society.”
CHICAGO – At this point in his stellar career, what is fascinating about Woody Allen is basically what he thinks about. He is a successful, family-stable, millionaire filmmaker with mortality issues. In “Irrational Man,” he ponders the existential question of “what lights the spark of life?”
CHICAGO – It was a Chicago moment for the legendary filmmaker Woody Allen, as he walked the Red Carpet on behalf of his latest film, “Irrational Man.” He was joined by a co-star in the film, Parker Posey, and HollywoodChicago.com was there to capture these Exclusive Portraits.
CHICAGO – HollywoodChicago.com presents our red-carpet video coverage of the “Irrational Man” premiere in Chicago on July 17, 2015. We interview legendary filmmaker Woody Allen and star Parker Posey at the Bellwether Meeting House & Eatery.
Woody talks about newly using Emma Stone and Parker Posey in his films, a different aspect ratio, possibly filming in Chicago, his upcoming 2016 film and more.
CHICAGO – The 2013 Emmy nominations were announced this morning, leading to the natural hand-wringing and chest-beating over who missed the cut. Before we get to the most egregious snubs of the year, a few places where the Academy unexpectedly, happily got it right:
CHICAGO – The more one is familiar with the art of improv, the more one is bound to fall head over heels in love with the mockumentaries of Christopher Guest. Working from a mere scene outline, Guest and his ensemble of top-drawer comedians bring a colorful assortment of richly eccentric oddballs to life. Their ad-libbed dialogue is infinitely funnier than scripted punchlines since it emerges organically from their character’s own warped worldview.
CHICAGO – I’ve seen a lot of TV in the decade-plus I’ve been covering the medium (much less the decades before that when I was purely a fan) and I can very rarely say something like this — you’ve never seen anything like “Louie.” The FX hit returns tonight on the network and reclaims its title as the best comedy on TV.
CHICAGO – It pains me to say this — HBO’s “Hemingway & Gellhorn” is a complete mess, a film littered with awful directorial decisions, built on a misguided screenplay, and featuring performances that range from mediocre to downright horrendous. I’m as big a cheerleader for HBO and their line of original films as you’re likely to find but this is one of the worst.
CHICAGO – Richard Linklater’s “Dazed and Confused” is not just a fun comedy, not just a clever slice of nostalgia, and not just a stoner movie. It is, without question, one of the best films of the ’90s. It passes through nostalgia to something more like a time machine, in a way not that dissimilar to George Lucas’ “American Graffiti.” A deeply personal project from one of our best modern writer/directors, “Dazed and Confused,” recently released on Criterion Blu-ray and re-released on Criterion DVD, gets better with each passing year.