CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”
CHICAGO – He is one of the most prolific American directors of the modern cinema era, and has also forged a career as stand-up comedian, actor, playwright and screenplay artist. He is Woody Allen, and he walked the Red Carpet at the Chicago History Museum on July 21st, 2016, for his new film ‘Café Society.’
CHICAGO – In the 1930s, the contrast between the world of Hollywood movie sparkle and the rest of a Depression-era America was as different as peasants and kings. Writer/director Woody Allen captures this dichotomy with an East Coast/West Coast tale of one family in “Café Society.”
CHICAGO – At this point in his stellar career, what is fascinating about Woody Allen is basically what he thinks about. He is a successful, family-stable, millionaire filmmaker with mortality issues. In “Irrational Man,” he ponders the existential question of “what lights the spark of life?”
CHICAGO – It was a Chicago moment for the legendary filmmaker Woody Allen, as he walked the Red Carpet on behalf of his latest film, “Irrational Man.” He was joined by a co-star in the film, Parker Posey, and HollywoodChicago.com was there to capture these Exclusive Portraits.
CHICAGO – HollywoodChicago.com presents our red-carpet video coverage of the “Irrational Man” premiere in Chicago on July 17, 2015. We interview legendary filmmaker Woody Allen and star Parker Posey at the Bellwether Meeting House & Eatery.
Woody talks about newly using Emma Stone and Parker Posey in his films, a different aspect ratio, possibly filming in Chicago, his upcoming 2016 film and more.
CHICAGO – The 2013 Emmy nominations were announced this morning, leading to the natural hand-wringing and chest-beating over who missed the cut. Before we get to the most egregious snubs of the year, a few places where the Academy unexpectedly, happily got it right:
CHICAGO – The more one is familiar with the art of improv, the more one is bound to fall head over heels in love with the mockumentaries of Christopher Guest. Working from a mere scene outline, Guest and his ensemble of top-drawer comedians bring a colorful assortment of richly eccentric oddballs to life. Their ad-libbed dialogue is infinitely funnier than scripted punchlines since it emerges organically from their character’s own warped worldview.
CHICAGO – I’ve seen a lot of TV in the decade-plus I’ve been covering the medium (much less the decades before that when I was purely a fan) and I can very rarely say something like this — you’ve never seen anything like “Louie.” The FX hit returns tonight on the network and reclaims its title as the best comedy on TV.
CHICAGO – It pains me to say this — HBO’s “Hemingway & Gellhorn” is a complete mess, a film littered with awful directorial decisions, built on a misguided screenplay, and featuring performances that range from mediocre to downright horrendous. I’m as big a cheerleader for HBO and their line of original films as you’re likely to find but this is one of the worst.
CHICAGO – Richard Linklater’s “Dazed and Confused” is not just a fun comedy, not just a clever slice of nostalgia, and not just a stoner movie. It is, without question, one of the best films of the ’90s. It passes through nostalgia to something more like a time machine, in a way not that dissimilar to George Lucas’ “American Graffiti.” A deeply personal project from one of our best modern writer/directors, “Dazed and Confused,” recently released on Criterion Blu-ray and re-released on Criterion DVD, gets better with each passing year.