CHICAGO – Before “Snow Angels”, “Prince Avalanche”, or even “The Sitter”, director David Gordon Green flexed his film school muscles in his unabashed inauguration, “George Washington”. Eying its body, the 2000 film shares qualities other first-timers huff when trying to be taken seriously by the arthouse crowd. Especially with the films that were assuredly motivated by Green’s work like 2012’s “Beasts of the Southern Wild”, “George Washington” celebrates storytelling instruments like whimsical young voiceover, shots that are equally distinct & questionable, and the raw potential of non-actors.
CHICAGO – And so it begins. The first new show of the 2013-14 broadcast network season premieres tonight, September 16, 2013, as FOX unleashes yet another update of a classic legend in “Sleepy Hollow.”
CHICAGO – Will “Mad TV” get a cultural comeback? Once positioned as the first show that could really compete with “Saturday Night Live,” it never quite fulfilled its potential but I think it’s the kind of thing that audiences could find and respect in the future. It’s too bad that none of the “Mad” players became huge stars — movie fame helped propel the respect for those early days of “SNL” — but there were some undeniably talented players here and the show holds up better than you might expect. There’s a part of me that wishes it was still on, especially during this truly horrendous season of “SNL.” Lorne Michaels could use some competition.
CHICAGO – For everything that Paul Weitz’s “Cirque du Freak: The Vampire’s Assistant” does right, there’s something about the film that just doesn’t work.