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Olivia Munn

Film Review: ‘Office Christmas Party’ is Just Ho-Hum Humbug

CHICAGO – “Office Christmas Party” summons up a few jolly ho-ho-ho’s, but can’t quite deliver even one decent belly laugh you’d expect, considering the talented cast chock full of funny folks. It’s halfway decent premise is drowned in a sea of unfulfilled potential and weak material that the ensemble can only do so much to save.

Interview: Co-Directors Josh Gordon & Will Speck Invite All to ‘Office Christmas Party’

CHICAGO – The raucous party movie has become a reliable staple in movieland, and now a production tackles the holiday soiré, and all that can go wrong. “Office Christmas Party” is co-directed by Josh Gordon and Will Speck, who also gave us “Blades of Glory” and “The Switch.”

Film Review: ‘X-Men: Apocalypse’ is a Marvel Entertainment Gem

CHICAGO – In doing “comic book” movies right, Marvel Entertainment has established a formula of decent back stories, complex villainy and probable scenarios. In continuing to tell a history of the second half of the 20th Century in “X-Men Apocalypse,” they also add a historical parallel universe that works.

Film Review: ‘Ride Along 2’ Takes a Bumpy Trip to a Dead End

CHICAGO – Kevin Hart’s license to riff should be revoked. “Ride Along 2” is an aimless, pointless and seemingly endless sequel to the bafflingly successful action comedy from a couple years back. Hart hijacks nearly every scene with his incessant hyperactive schtick.

Film Review: Supremely Silly ‘Mortdecai’ is a Pleasant Surprise

CHICAGO – I have to say while watching Johnny Depp in “Mortdecai,” I found myself amused. I rarely elicited anything more than a slight chuckle, but its indomitable spirit of silliness made it a not entirely unpleasant evening out.

Film Review: ‘Deliver Us From Evil’ Goes Straight for the Jugular

CHICAGO – “Deliver Us from Evil” is director Scott Derrickson’s second foray into possession horror. His first, the excellent “The Exorcism of Emily Rose,” was taut, thoughtful and offered some truly unsettling demon scares.

TV Feature: The 11 Biggest Emmy Snubs of 2013

CHICAGO – The 2013 Emmy nominations were announced this morning, leading to the natural hand-wringing and chest-beating over who missed the cut. Before we get to the most egregious snubs of the year, a few places where the Academy unexpectedly, happily got it right:

TV Review: HBO’s ‘The Newsroom’ Adjusts Its Broadcast Style

CHICAGO – There’s no television program that can be more simultaneously brilliant and frustrating as Aaron Sorkin’s “The Newsroom,” returning tonight, July 14, 2013, to start an already-tumultuous second season.

Blu-ray Review: HBO’s ‘The Newsroom’ Rivets, Frustrates at Same Time

The Newsroom

CHICAGO – Aaron Sorkin’s “The Newsroom,” recently released on Blu-ray and DVD, drives me crazy. The HBO drama can be so thematically dense and brings up subjects too often missing from the national conversation but it can also be so frustratingly self-important and deluded in its vision of the way real people operate. Do you give it credit for the topics it raises or smash it for the heavy hand with which they’re delivered? I have high hopes that season two will iron out some of the problems (stories of reshot episodes indicate that Sorkin heard his critics) but I’m still torn on how to feel about season one.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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