CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Movie icon Warren Beatty had wanted to make a film about 20th Century billionaire Howard Hughes for close to 40 years. On the heels of Martin Scorsese’s “The Aviator,” Beatty has written, directed and portrays Hughes in “Rules Don’t Apply,” and has created a strange farce about the mogul and a romance tale around him.
CHICAGO – If there is one star-crossed couple in this fall’s movie line-up, it’s Marla and Frank of “Rules Don’t Apply,” as portrayed by Lily Collins and Alden Ehrenreich. The two popular young actors are trying to connect by the standards of late 1950s Hollywood in the film, a looser atmosphere but still difficult for two religious outsiders.
CHICAGO – When encountering film producer, director, writer and “movie star” Warren Beatty, I entered into an interview that would be truly one of a kind. The spontaneous Mr. Beatty works a talk in a give-and-take Socratic method, searching for the truth underneath the rhetoric, as he did with his new film “Rules Don’t Apply.”
CHICAGO – When journalists were heroes and exposed those in power for their sins, movies were made like “All the President’s Men.” Gary Webb of the San Jose Mercury News was one of those journalist heroes during the 1990s, but he wasn’t celebrated in his time. The indictments, induced paranoia and outright lies against him are distinctly chronicled in the luminary “Kill the Messenger.”
CHICAGO – What happens when too much truth is exposed, and those who will feel the backlash from that exposure are too powerful? The new film “Kill the Messenger,” directed by Michael Cuesta, seeks an answer to that question through the true story of journalist Gary Webb, a victim of his own investigative reporting.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new dramatic thriller “Kill the Messenger” starring Jeremy Renner based on the remarkable true story of Pulitzer Prize-winning journalist Gary Webb!
CHICAGO – In our latest HollywoodChicago.com Hookup: Combo Pack giveaway, we have 10 free Blu-ray and DVD combo packs up for grabs for the home entertainment release of the new comedy “Chef” starring Jon Favreau and Robert Downey Jr.!
CHICAGO – By the time of his 2011 box office blitzkrieg otherwise known as “Cowboys & Aliens,” the product that indie director-turned-Hollywood habitue Jon Favreau had been hocking as a “popcorn salesman” had gone stale – to use a showbiz term from Nicholas Ray’s” In A Lonely Place”.
CHICAGO – The so-called “legend of Oz” will cease to be legendary if they keep producing lame re-engineerings of the 1939 classic “The Wonderful Wizard of Oz.” Close on the heels of last year’s dud, “Oz the Great and Powerful,” comes the dully rendered “Legends of Oz: Dorothy’s Return.”
CHICAGO – “The Oranges” suffers from a common problem in these suburban comedies of error in that it assumes we care about these characters who are essentially less interesting than your actual neighbors. Infidelity, bad parenting, friendships collapsing – they’re happening every day on your street. Films like “The Oranges” may think they’re tapping a vein of picket fence peculiarity like “American Beauty” but the result actually plays more like a Showtime sitcom pilot that never got picked up because it was too boring to maintain week to week.