Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – By the time of his 2011 box office blitzkrieg otherwise known as “Cowboys & Aliens,” the product that indie director-turned-Hollywood habitue Jon Favreau had been hocking as a “popcorn salesman” had gone stale – to use a showbiz term from Nicholas Ray’s” In A Lonely Place”.
CHICAGO – The so-called “legend of Oz” will cease to be legendary if they keep producing lame re-engineerings of the 1939 classic “The Wonderful Wizard of Oz.” Close on the heels of last year’s dud, “Oz the Great and Powerful,” comes the dully rendered “Legends of Oz: Dorothy’s Return.”
CHICAGO – “The Oranges” suffers from a common problem in these suburban comedies of error in that it assumes we care about these characters who are essentially less interesting than your actual neighbors. Infidelity, bad parenting, friendships collapsing – they’re happening every day on your street. Films like “The Oranges” may think they’re tapping a vein of picket fence peculiarity like “American Beauty” but the result actually plays more like a Showtime sitcom pilot that never got picked up because it was too boring to maintain week to week.
CHICAGO – Showtime’s “The Big C” is a sporadically brilliant show that somehow still has not clicked into place as the truly great comedy it could have been. Despite my issues with the often-pretentious, self-aware writing, there’s one thing that no one can complain about regarding this Emmy-nominated show — the cast rules. Laura Linney gives easily one of the most engaging performances on TV and she’s ably assisted by a truly strong ensemble.
CHICAGO – Emmy-winning “Nurse Jackie” starts its fourth season and the highly-acclaimed “The Big C” joins it for its third on Sunday nights starting tonight, April 8, 2012.
CHICAGO – In many ways, “X-Men: First Class” is the most loyal film yet to the Marvel aesthetic in the way director Matthew Vaughn and the film’s multiple screenwriters capture the tone, spirit, and themes of one of the most legendary comic books of all time. It is a spectacular mix of great performances, well-choreographed action, and cleverly-revised history. It is crowd-pleasing to action fans and yet intellectually complex at the same time. It is what more producers of superhero movies should strive to accomplish and it deserves mention with the best of the genre (“Spider-Man 2,” “X-Men,” and even “The Dark Knight”).
CHICAGO – The revolving door of talented actresses has turned at Showtime. “Nurse Jackie” and “The United States of Tara” just ended their seasons and so Edie Falco and Toni Collette head out one side while Laura Linney and Mary-Louise Parker come in the other with the season premieres of “The Big C” and “Weeds,” respectively.
HollywoodChicago.com Hookup: 10 Pairs of Chicago Passes to ‘X-Men: First Class’ Plus 5 Vintage T-ShirtsSubmitted by HollywoodChicago.com on May 27, 2011 - 2:12pm
CHICAGO – In our latest superhero edition of HollywoodChicago.com Hookup: Film, we have 10 admit-two advance-screening movie passes plus 5 vintage “X-Men” T-shirts up for grabs for the highly anticipated new film “X-Men: First Class”!
CHICAGO – An unusual new theme in the American romantic comedy is the couple who starts with sex and ends with love a la “No Strings Attached” and the recent “Love and Other Drugs” with Jake Gyllenhaal and Anne Hathaway, now on DVD and Blu-ray. Critic Patrick McDonald HATED the film, putting it on his worst of the year, which I think may be a little harsh, but it’s a definite disappointment given the talent involved. Those of you looking for a romantic comedy can do better and so can the stars of this failed one.
CHICAGO – “Love and Other Drugs” celebrates everything that is wrong with America, wrapped in a package with two “it” stars doing a disservice to their emerging careers.