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Film Review: ‘Maze Runner: The Death Cure’ Has Run Out of Life

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

Film Review: Good vs. Evil Brightly Entertaining in ‘The Dark Tower’

CHICAGO – Nobody does good vs. evil archetypes like author Stephen King, and this framework is purposeful in the film adaptation of King’s “The Dark Tower.” The popular book series gets a visual kick through the rendering of director Nikolaj Arcel and Ron Howard’s Imagine Entertainment.

Film Review: ‘The Sense of an Ending’ Ponders a Vague Mystery

Sense of an Ending, The

CHICAGO – “The Sense of an Ending” is a highfalutin title, automatically putting most folks into book club mode. It is adapted from a novel, and the narrative has the same page turning-type rhythm. An old man, portrayed by Jim Broadbent, is encountering his past, while his current situation remains untenable.

Film Review: ‘The Shack’ is About Spirituality, Not Filmmaking

CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.

Film Review: ‘Nocturnal Animals’ Takes Two Stories to New Levels

CHICAGO – Reality and fantasy have separate rules, and in fantasy there are no rules. This is the philosophy of “Nocturnal Animals,” a wild character study that exists on the reality/fantasy planes. And it has the bonus of the Amy Adams/Isla Fisher mix-up and Jake Gyllenhaal at his Gyllenhaal-iest.

Interview: Director Hannes Holm Meets ‘A Man Called Ove’

CHICAGO – In 2012, Fredrik Backman released his Swedish novel called “En man som heter Ove.” It was published in English in 2013, and became a best seller. The book that delved into the life of a cranky old man is now a major Swedish movie, distributed in the U.S. by Chicago’s Music Box Films, and directed by Hannes Holm.

Film Review: ‘Third Person’ an Intriguing Yet Foreseeable Labyrinth

Third Person

CHICAGO – Don’t you hate it when you figure out where a film is going long before it gets there? That could be a problem with “Third Person,” but writer/director Paul Haggis (“Crash”) also adds enough secrets to chew on and enough multiple pathways to explore. Enter at your own risk.

Interview: Writer/Director Paul Haggis Creates ‘Third Person’

CHICAGO – Not many Oscar winning screeenwriters change the course of their professional lives because of a dream (story below), but Paul Haggis is an exceptionally brilliant writer whose credits include “Crash” (2005) and “Million Dollar Baby” (2004) – which both won Best Picture – and his new film, “Third Person.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

  • Remember Me, Rita Moreno

    CHICAGO – Academy Award winner (in 1962!) Rita Moreno is in the midst of a big media comeback. The 86 year-old actress, who famously portrayed Anita in that Oscar-winning role in “West Side Story,” is in her second season of the “One Day at a Time” reboot on Netflix, and is featured in the indie film “Remember Me,” available now for download and Video On Demand.

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