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Noah Emmerich

TV Review: Great Concept, Strong Ensemble Carry FX’s ‘The Americans’

CHICAGOFX has carved an impressive critical and commercial niche with hits like “Sons of Anarchy,” “The Americans,” “American Horror Story,” and “Louie” and they’re trying to add another success to their arsenal with tonight’s premiere of the highly-anticipated “The Americans,” starring Keri Russell, Matthew Rhys, and Noah Emmerich.

Blu-Ray Review: Clive Owen, Liana Liberato Are Stellar in ‘Trust’

Trust review

CHICAGO – David Schwimmer’s ‘Trust’ is one of the best films of the year to date that I’m pretty sure you haven’t seen. After playing at the Chicago International Film Festival last fall (where it was easily one of the best works at the fest), it received a far-too-limited release in April and has made barely over $120k TOTAL domestically. Rent it. Watch it. Now.

Film Review: Sean Penn, Naomi Watts Revive Valerie Plame in ‘Fair Game’

Fair Game, Naomi Watts

CHICAGO – The key line in “Fair Game,” a distillation of Valerie Plame’s outing as a CIA operative in 2003, is intoned by character actor Bruce McGill, in a scene reminiscent of the “Mr. X” moment in the “JFK” movie. Pointing to the White House and the Bush Administration, he simply says, “there are the most powerful men in the history of the world.”

Blu-Ray Review: ‘Pride and Glory’ Wastes Two Talented Stars in Generic Drama

Pride and Glory
HollywoodChicago.com Blu-Ray Rating: 2.0/5.0
Blu-Ray Rating: 2.0/5.0

CHICAGO – The Blu-Ray package for Gavin O’Connor’s “Pride and Glory” features shots of stars Edward Norton and Colin Farrell wielding guns on both the front and back of the case. The artistic intention is clear - Try and sell this generic, dull cop drama as an action film, as that’s the genre that takes off on the home market. Don’t buy it.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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