CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.
CHICAGO – Show creators/executive producers Ryan Murphy and Brad Falchuk are on quite a roll. After creating the hit series “Nip/Tuck” and putting America in a singing and dancing craze with “Glee,” the pair have created another mega hit with his horror/drama series “American Horror Story.” Now, the pair hit treat instead of trick on Halloween afternoon as FX has given the go ahead for a second season of the series.
CHICAGO – Ryan Murphy (“Nip/Tuck,” “Glee”) returns to the network that turned him into a star with this week’s premiere of the highly-anticipated “American Horror Story,” a new FX series that mixes sex with the supernatural to create something truly unique. The show’s very existence feels like it could be inspired by HBO’s “True Blood” (another show with horror and sex).
CHICAGO – Despite the best efforts of TV veterans Poppy Montgomery (“Without a Trace”) and Dylan Walsh (“Nip/Tuck”), “Unforgettable” is another dull CBS procedural, a show with some decent characters and a relatively-intriguing premise that is undone by weak writing and a silly presentation. CBS is such a juggernaut that anything can become a hit but it’s hard to believe this one will love up to its title for most viewers.
CHICAGO – Having started writing about television and DVD right around the time that “Nip/Tuck” premiered on FX and always having lovely contacts at both the network and Warner Brothers, who released the DVDs for the series, I have possibly written about the adventures of Drs. Christian Troy (Julian McMahon) and Sean McNamara (Dylan Walsh) more than any other program. And so I greet the “Complete Series” box set, recently released on DVD, with a tinge of sadness as I say goodbye to a program with definite highlights that somehow never quite lived up to its potential.
CHICAGO – The wave of TV on DVD sets that always comes crashing down upon us after the end of a traditional September-to-May season is still a few months off, but a few interesting releases have popped up recently and we thought they each deserved a mini-review for potential fans out there looking for something new now that their DVRs have gotten pretty empty. Take notes, there might be a test at the end.
CHICAGO – Ryan Murphy’s “Nip/Tuck” begins its final cosmetic procedure this evening, starting a nine-episode arc that will end this once-promising series that has been in need of a face lift for a few years now.
CHICAGO – We have written here several times about the genius of “Glee” (in May and again in September), but with the show having been off the air for a few weeks so the Yankees could win another World Series, we thought it was a good time to assess how the show has been progressing by taking an advanced look at tonight’s episode, the wonderful “Wheels”.
CHICAGO – Let’s be honest: “Nip/Tuck” has been in need of a face lift for years. The show arguably jumped the shark when The Carver took over (in season three) and has never quite looked the same since. Even with the sizable flaws of the last two seasons, “Nip/Tuck” was never boring. It even showed flashes of creator Ryan Murphy’s occasional genius in the seasons since.
CHICAGO – Ryan Murphy’s brilliant “Glee” is not only the best new show of the year, it’s off to one of the best starts for any series in the last several fall seasons. Much closer to Alexander Payne’s “Election” than Disney’s “High School Musical,” this is a clever blend of satire, pop tunes, laugh-out-loud comedy, and rich, interesting characters that you simply shouldn’t miss.
CHICAGO – Much closer to Alexander Payne’s “Election” than Disney’s “High School Musical,” the pilot for Ryan Murphy’s “Glee” is one of the best of the last several years, a clever blend of satire, pop tunes, laugh-out-loud comedy, and rich, interesting characters. The one thing I kept thinking during the pilot of “Glee”? This is too good for network TV. It will never last.