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Nicole Kidman

Film Review: ‘Before I Go to Sleep’ Not Worth Remembering

CHICAGO – “Before I Go To Sleep” is a lobotomized amnesiac thriller that sure hopes its audience can’t remember “Memento.” It presents its promising concept as a slow, poorly paced potboiler that is packed with unpleasantness.

Film Review: Colin Firth, Nicole Kidman on Track in ‘The Railway Man’

CHICAGO – One the hidden implications of World War II was the suffering of Post Traumatic Stress Syndrome (PTSD) from the millions of soldiers who survived the horrors of that war. The difficulties associated with PTSD are communicated with honor by Colin Firth in “The Railway Man”

Film Review: Thought Illuminating, Mind Blowing ‘Under the Skin’

CHICAGO – Imagine a stranger taking a journey around the landscape of their destiny, and that only begins to describe the audacity and power of director Jonathan Glazer’s “Under the Skin.” Scarlett Johansson creates a character of undeniable mystery and truth, a stranger in a strange land.

Interview: Director Jonathan Glazer Gets ‘Under the Skin’

CHICAGO – The buzz for the new film, “Under the Skin,” is tremendous, both for Scarlett Johansson’s performance and the amount of symbolic and real exposure for the actress. Director Jonathan Glazer (“Sexy Beast,” “Birth”) has fashioned a metaphoric gem based on a novel by Michel Faber, about an alien visitor.

Blu-ray Review: Naggingly Hollow ‘Hemingway and Gellhorn’ Falls Flat

Hemingway and Gellhorn blu-ray

CHICAGO – It doesn’t sound like a particularly bad idea. In exploring the globe-trotting adventures of author Ernest Hemingway and war correspondent Martha Gellhorn, why not use archival footage of the actual sights and sounds that they encountered, while nesting the actors into the frame, a la “Forrest Gump”? I didn’t think it was a bad idea at all until roughly three minutes into the movie.

Film Review: Mia Wasikowska Finds Trippy Mystery in ‘Stoker’

CHICAGO – There is cause and effect in life, and there are times when random acts of circumstance rinses it all away. Those emotions are realized in the strange yet compelling composition of the new film “Stoker,” featuring Mia Wasikowska, Nicole Kidman, and Matthew Goode.

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Stoker’ With Nicole Kidman

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of the new psychological thriller “Stoker” starring Nicole Kidman!

Blu-ray Review: Horrendous ‘The Paperboy’ Wastes Talented Cast

Paperboy, The

CHICAGO – Some have embraced Lee Daniels’ super-weird “The Paperboy,” recently released on Blu-ray and DVD, as pure pulp entertainment, the kind of sexy, sweaty, ridiculous B-movie that they don’t make enough of any more. Others have called it absolute trash with The Onion A.V. Club going as far as to name it the worst movie of the year. I’m much closer to The Onion in this case. As hard as I tried to get on the wavelength of this film’s growing cult movie reputation, I couldn’t shake the fact that it’s just a piece of junk.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Drunk History Seasons 1 & 2, 2014

    CHICAGO – The awesomeness of history loses any of its stuffiness with the incredibly fun, indeed educational show “Drunk History” from Comedy Central, its two seasons now released on DVD. Hosted by its creator Derek Waters, the show is a celebration of various historic figures and their under-appreciated true tales, as expressed by funny people narrating in the universal language of inebriation; their recounts are then reenacted by famous actors working with their given dialogue, dressed with the comic cheapness of a bloated biopic.

  • Happy Christmas

    CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.

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