Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
Nicole Ari Parker
CHICAGO – “The Deep End” is yet another legal show about young stars in their field trying to do what’s right within the system and keep their heads above water at a high-powered firm. To say we’ve seen the set-up of ABC’s “The Deep End” a dozen times before would be a massive understatement. The question is what the writers and cast do within the tried-and-true structure. The answer is nothing at all.
CHICAGO – Nobody expects an actor to maintain the ambitions of their early career. The manic energy of Eddie Murphy from “Raw” or “48 Hours” is as gone as an ‘80s hairdo. But the numbing sameness of family-friendly Eddie is a direction that is stultifying, and does no favors for him or the audience.