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Nicki Aycox

TV Review: Tricia Helfer Brings Color to TNT Cop Drama ‘Dark Blue’

CHICAGOTNT’s hit-and-miss cop drama “Dark Blue” returns tomorrow night, August 4th, 2010 with a great pair of episodes featuring the addition of the always-excellent Tricia Helfer of “Battlestar Galactica,” but the improvements aren’t merely in the supporting cast, as the first two hours of season two hint at the opposite of a sophomore slump.

DVD Review: First Season of TNT Cop Drama ‘Dark Blue’

Dark Blue S1

CHICAGOTNT’s “Dark Blue” has theatrical caliber production values, tight editing, and impressive action set-pieces for a TV show. It also has cliched characters, hackneyed dialogue, and plots that stretch suspension of disbelief far past the breaking point. The strong performances and crisp pacing often make the cliches easier to bear but the first season features as many missed shots as direct hits.

TV Review: New TNT Cop Drama ‘Dark Blue’ Has Potential For Explosion

Dark Blue on TNT

CHICAGOTNT on Tuesday launched executive producer Jerry Bruckheimer’s no-holes-barred cop drama, “Dark Blue”. Like Bruckheimer’s successful predecessors in its genre (“C.S.I: Miami”, “C.S.I. New York”, “Cold Case”, and “Without a Trace”), “Dark Blue” provides captivating crime scenarios, an easy-on-the-eyes cast (including Dylan McDermott of “The Practice”), and just enough suspense to keep engaged.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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