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Nick Kroll

Film Review: ‘Captain Underpants’ Saves Us From the Summer Snooze

CHICAGO - I’m sure from the title you can glean the level of seriousness to expect, but how funny “Captain Underpants: The First Epic Movie” turns out to be is no laughing matter. The film’s surprising irreverence and respect for the comic book genre makes this the animated hero we’ve needed, and the second best superhero film out this weekend (SEE: Wonder Woman).

Film Review: Despite Cast, ‘Sing’ Fails to Strike a Chord

CHICAGO – Singing is something that everyone can do. I tend to do it while in the shower or sitting in traffic. I’ve been told I have the singing voice of an angel… of death. Okay, I’m exaggerating, but the point is that while everyone can sing, not everyone should. The same extends to creating films like “Sing,” which is loud but seldom harmonious.

Film Review: ‘Sausage Party’ is a Hard R-Rated Raunchy Good Time

CHICAGO – First things first. Don’t let the fact this is animated fool you, “Sausage Party” is most definitely, absolutely NOT FOR CHILDREN. This is a hard R-rated Seth Rogen raunch fest that may induce nightmares into more sensitive viewers and contains images of animated debauchery that can not be unseen. But it is inventively profane, with more on its mind than just animated f-bombs.

Film Review: Tartan Prancer – Yes, a Fictional Albanian Car – Steals the Otherwise Borrowed Show in ‘Vacation’

CHICAGO – Retreads from classics are often as weary as having to write that they are almost never as good as the original. And here we go again with the Ed Helms-led “Vacation,” which fails to capitalize on the beloved Chevy Chase film “National Lampoon’s Vacation” from 1983.

Interview: Nick Kroll Starts it Up in ‘Adult Beginners’

CHICAGO – Finding the adult button and hitting “on” is becoming more of a challenge as the tech generation morphs into their thirtysomething era. Comedian Nick Kroll (“Kroll Show,” “The League”) ponders this situation in the new film “Adult Beginners,” a primer on growing up and moving on.

DVD Review: Comedy Central’s ‘Broad City: Season 1,’ ‘Kroll Show: Seasons 1 & 2’

Broad City: Season 1

CHICAGO – December has seen the release of two different Comedy Central shows finally arriving to DVD, “Broad City” and “Kroll Show.” Expressing their comedy in different formats, these shows from rising comedians Abbi Jacobson & Ilana Glazer (“Broad City”) and Nick Kroll (“Kroll Show”) introduce a cable channel’s audience to new talent, while nonetheless presenting a distinct contrast in creativity.

TV Review: FXX Launches with ‘The League,’ ‘It’s Always Sunny in Philadelphia’

CHICAGO – If you were watching Fox Soccer Channel this weekend, you may have been startled to see it switch to repeats of hit comedy shows instead of sports commentary. The network is no more, replaced by FXX, a new brand of the hit FX network designed to appeal to a younger, comedy-driven audience. FX will keep shows like “The Bridge,” “Justified,” and next week’s premiere of “Sons of Anarchy.”

TV Review: FX Comedies ‘It’s Always Sunny in Philadelphia,’ ‘The League’

CHICAGO – Some of the most likable morons in the history of television are back tonight as the eighth season of “It’s Always Sunny in Philadelphia” and the fourth season of “The League” return to FX for more remarkable stupidity.

TV Review: ‘The League’ Returns For More Funny Fantasy

CHICAGOFX’s “The League” is one of the most consistently inventive and clever comedies on TV right now. It’s also remarkably dirty and only getting more so. With a season premiere in which Seth Rogen plays a porno director named Dirty Randy, “The League” seems to be pushing even more envelopes as other comedies on the network (“Louie,” “It’s Always Sunny in Philadelphia”) take their own boundaries further and further.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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