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Nick Kroll

Film Review: Despite Cast, ‘Sing’ Fails to Strike a Chord

CHICAGO – Singing is something that everyone can do. I tend to do it while in the shower or sitting in traffic. I’ve been told I have the singing voice of an angel… of death. Okay, I’m exaggerating, but the point is that while everyone can sing, not everyone should. The same extends to creating films like “Sing,” which is loud but seldom harmonious.

Film Review: ‘Sausage Party’ is a Hard R-Rated Raunchy Good Time

CHICAGO – First things first. Don’t let the fact this is animated fool you, “Sausage Party” is most definitely, absolutely NOT FOR CHILDREN. This is a hard R-rated Seth Rogen raunch fest that may induce nightmares into more sensitive viewers and contains images of animated debauchery that can not be unseen. But it is inventively profane, with more on its mind than just animated f-bombs.

Film Review: Tartan Prancer – Yes, a Fictional Albanian Car – Steals the Otherwise Borrowed Show in ‘Vacation’

CHICAGO – Retreads from classics are often as weary as having to write that they are almost never as good as the original. And here we go again with the Ed Helms-led “Vacation,” which fails to capitalize on the beloved Chevy Chase film “National Lampoon’s Vacation” from 1983.

Interview: Nick Kroll Starts it Up in ‘Adult Beginners’

CHICAGO – Finding the adult button and hitting “on” is becoming more of a challenge as the tech generation morphs into their thirtysomething era. Comedian Nick Kroll (“Kroll Show,” “The League”) ponders this situation in the new film “Adult Beginners,” a primer on growing up and moving on.

DVD Review: Comedy Central’s ‘Broad City: Season 1,’ ‘Kroll Show: Seasons 1 & 2’

Broad City: Season 1

CHICAGO – December has seen the release of two different Comedy Central shows finally arriving to DVD, “Broad City” and “Kroll Show.” Expressing their comedy in different formats, these shows from rising comedians Abbi Jacobson & Ilana Glazer (“Broad City”) and Nick Kroll (“Kroll Show”) introduce a cable channel’s audience to new talent, while nonetheless presenting a distinct contrast in creativity.

TV Review: FXX Launches with ‘The League,’ ‘It’s Always Sunny in Philadelphia’

CHICAGO – If you were watching Fox Soccer Channel this weekend, you may have been startled to see it switch to repeats of hit comedy shows instead of sports commentary. The network is no more, replaced by FXX, a new brand of the hit FX network designed to appeal to a younger, comedy-driven audience. FX will keep shows like “The Bridge,” “Justified,” and next week’s premiere of “Sons of Anarchy.”

TV Review: FX Comedies ‘It’s Always Sunny in Philadelphia,’ ‘The League’

CHICAGO – Some of the most likable morons in the history of television are back tonight as the eighth season of “It’s Always Sunny in Philadelphia” and the fourth season of “The League” return to FX for more remarkable stupidity.

TV Review: ‘The League’ Returns For More Funny Fantasy

CHICAGOFX’s “The League” is one of the most consistently inventive and clever comedies on TV right now. It’s also remarkably dirty and only getting more so. With a season premiere in which Seth Rogen plays a porno director named Dirty Randy, “The League” seems to be pushing even more envelopes as other comedies on the network (“Louie,” “It’s Always Sunny in Philadelphia”) take their own boundaries further and further.

Film Review: ‘A Good Old Fashioned Orgy’ Can’t Get it Up

A Good Old Fashion Orgy

CHICAGO – Rarely have so many talented comedians been sucked into a more depressing morass of bad comic timing and worse writing than in the dreadful “A Good Old-Fashioned Orgy,” a movie with a bunch of people I like making a comedy I really, really hate. This movie knows nothing about friendship, sex, or, most importantly, comedy.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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