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Film Review: Truth Upstages Fiction Again in ‘Three Identical Strangers’

Three Identical Strangers

CHICAGO – The eternal debate of what affects human development more, our nature or our nurturing, opens up again in the wild story of “Three Identical Strangers,” a new documentary about triplets who were separated at birth, only to discover each other by chance and uncover some difficult truths about that separation.

Film Review: Margot Robbie in ‘I, Tonya’ Can’t Stick the Landing

CHICAGO – We have arrived at point where yesterday’s trash TV has become today’s critical darling of the film festival circuit. As the trailers proclaim, “I, Tonya” desperately wants to be the “‘Goodfellas’ of Figure Skating,” but one of the biggest problems I had is that it’s just trying too hard.

Film Review: Aubrey Plaza Steers the Unsettling ‘Ingrid Goes West’

CHICAGO – Aubrey Plaza (“Parks and Recreation”) is an actor who always seems to do something memorable in her performances. In “Ingrid Goes West,” she carries an entire movie on her quirky and sometimes disturbing character… that of a bipolar stalker who can’t find balance.

Film Review: Glaring Lack of Originality Handicaps ‘The Bad Batch’

Bad Batch, The

CHICAGO – Dystopia has been dissed out. Mining the negative vibe future world can’t seem to touch the rich creative vein any more and the reserves seem dry. Writer/director Ana Lily Amirpour may have an element within her interpretation that is hard core, but it’s not enough to understand the overall vision of her tomorrow world, except that we’re all part of “The Bad Batch.”

Interview, Audio: Director Ana Lily Amirpour Stirs up ‘The Bad Batch’

CHICAGO – The dystopia – or negative future world – is a genre staple, from “Soylent Green” to “Max Max.” The latest film to ponder the possibilities is “The Bad Batch,” from writer/director Ana Lily Amirpour. This is her sophomore feature, after “A Girl Walks Home Alone at Night,” and features Suki Waterhouse in the lead role.

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