CHICAGO – It’s difficult to imagine an awards season without Clint Eastwood. Ever since 2003’s “Mystic River,” he’s released all of his directorial efforts during the last months of the year. Sometimes his films deserve to be contenders (“Million Dollar Baby,” “Letters From Iwo Jima”), and sometimes they don’t. “Invictus” is Eastwood’s most unimaginative Oscar bait yet.
CHICAGO – Director Clint Eastwood has given up on subtlety, choosing instead to tell old-fashioned, direct stories with as much technical skill and dramatic competency as possible.